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Barren Rock Artchive 無用石 / 【Notes 筆記】Withstanding the collapse of our world《殘酷與美好》面對崩壞的世界

Barren Rock Artchive 無用石 / 【Notes 筆記】Withstanding the collapse of our world《殘酷與美好》面對崩壞的世界

Barren Rock Artchive’s review on the dual-show “Ferocity & Wonderment” (Jan 2-Feb05) at Floating Projects, originally shared on 13 January 2022, is now re-posted at Floating Teatime’ ArtNotes with the author’s permission. 原文發表於無用石的面書和 Instagram (2022.01.13)。感謝分享於「據點一杯茶」文字平台。

ZHANG Zimu /「歧路結節,開合解密」, 談羅海德個展 A review of Hector Rodriguez’s “Hidden Variables: Forking Paths of Visuality & Technology”

ZHANG Zimu /「歧路結節,開合解密」, 談羅海德個展 A review of Hector Rodriguez’s “Hidden Variables: Forking Paths of Visuality & Technology”

作為一個進深的影像活動研究者,張子木回顧剛完滿結束的羅海德首個個展(「文字機器創作集」第六輯),探出有別於一般影像創作的理路、胸襟。Zhang Zimu, advanced researcher of moving image events, sheds light on Hector Rodriguez’s unusual rationale, impulses, technical and theoretical approaches to moving-image making as critique, as were articulated in the first solo show he just completed for the the Writing Machine Collective 6th edition.

Floating Projects Collective 2023