fp-icon

Category: FieldNotes 考察中

研究生的考察範圍、指向,是世界的未來的形骸,新知識的風向計,對現今時代的把脈。起家立說之前,往往是轉瞬即逝的珍寶 — 直覺、對問題的「肚腹」般的反應。我們要好好留著。完整的辯說,碎片,靈光一閃,大小故事,所見所聞,理念層次的穿線連點結網…。「在地」、「尋檔」、「書寫作為思考」等陸續有來。A network of ideas from doctoral researchers whose tentative thinking may value as much as well formed writings. Hear their voices. Michael Leung’s “ON LAND,” Vennes Cheng’s “THINK-PAD,” Lim Yeon-kyung’s “ACTING OUT” and more are arrivals…

 Linda Lai / on Kimburley Choi's "A Story of One’s Own" 有關蔡穎儀的《我所知她們的私己事》
Cher / Action in Love: the making of “How I met your mother” 李祉昕《浪漫史》,為了學習感悟。據點打開門。

Cher / Action in Love: the making of “How I met your mother” 李祉昕《浪漫史》,為了學習感悟。據點打開門。

While deeply aware of the underlying tensions in all love relationship, fresh graduate Cher believes it’s very worthwhile to preserve and present the blissful moments of a couple, even if just for a moment. Thus started her months-long action research — photography as an event — to act out as a sonder person. 對周遭的人的感悟有多少?李祉昕以行動出發,攝影是牽動關係的探索行動,為了展出,更是為了接觸別人和自學。

Framing Diseases 05: Diseases, Poetics, and Dwelling

Framing Diseases 05: Diseases, Poetics, and Dwelling

Are perspectives on diseases without a human agent (empirical perspective) possible? “ From the disease image perspective (o1) through the cooperative discourse (02-03), and the “war frame” (04), Hector Rodriguez advances a point of view that conceives of a person as part and support of an ecological community. And what if “the bacteria that inhabit a person’s body are to a large extent unique to that person”? The assumptions of a microbial ecosystem define what it means to be person, so that a person is an ecological community. How ought we to think of personal identity when we consider the role of built spaces and dynamic interactions in shaping our microbial signatures?

“Miss Dong Quartet: Miss Tung” 董小姐 –> 彤小姐。

“Miss Dong Quartet: Miss Tung” 董小姐 –> 彤小姐。

“Field notes” series (2022) Look at That Picture begins with graduate researcher Tse Lam-hei’s close study of a drawing by local artist Ho Sin-tung, which Tse turns into a found archaeological object, tackled with rich descriptions. 研究員筆記「定睛看」系列的首篇。謝琳禧鑽進本地藝術家何倩彤的一張手繪,用考古的態度、方法,和精細調理歷史的精神,把何的圖像層層剝開。

FP at Documenta 15, a journal series (4): “MAKE FRIENDS NOT ART!” 做藝術就是做朋友。
FP at Documenta 15, a journal series (3): connecting, boat-building… 天天實作天天學習
FP at Documenta 15, a journal series (2): immersing… 鑽進另一種日常生活
FP at Documenta 15, a journal series (1) stepping in… 據點在卡塞爾文獻展2022

FP at Documenta 15, a journal series (1) stepping in… 據點在卡塞爾文獻展2022

Floating Projects is taking part in Gudskul’s fifth year of Contemporary Art Collective and Ecosystem Studies, this time part of Documenta 15. FPC members John Chow and Dory Cheng participates in their 50-day co-living to gain first-hand understanding of lumbung practice, a sharing model.

Voices from the Atmosphere (1): archiving thought paths in days of isolation 「大氣中融融細語」(一): 隔離日子的思路的庫存
On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動:長路漫漫(二)

On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動:長路漫漫(二)

In part 2 of her discussion on documentary impulse, Linda Lai keys in on “there-ness” as a specific form of desire manifested in image-making in French cinema between the two world wars. With additional historical examples, she contemplates moving image’s integrity in connecting and re-inventing our experiences as technics.「記述的衝動」的下半部,黎肖嫻專注於電影記述、保存、調解和開創現實的「他在」的個性,尤其以法國二次大戰期間的電影實存和理論發展,和紀錄片的被命名為特殊的歷史個案,再談到活動影像作為連結經驗的獨有的內部技術。

Floating Projects Collective 2023