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Searching for tag: linda-lai

To the Lucid Walkers: How Did I Find My Path?  至「清醒夢人」:我的路是如何走出來的?

To the Lucid Walkers: How Did I Find My Path? 至「清醒夢人」:我的路是如何走出來的?

Linda Lai answered a question that MFA students at the School of Creative Media posed to her... 創意媒體學院的藝術碩士生向老師提問。黎肖嫻回答... ...。

Ideas Blossom on Contemporary Living: Floating Projects @ BOOKED 2023, Taikwun 思緒的聚疊:「據點」小誌天南地北。大館書展2023
FP Assemblage 2023 (2) Self-organization, Individuation, Synchronization... an Automatic Sequence 同步、個別化、自我組織。不假思索的序列。「據點聚疊」於亞洲藝術文庫。

FP Assemblage 2023 (2) Self-organization, Individuation, Synchronization... an Automatic Sequence 同步、個別化、自我組織。不假思索的序列。「據點聚疊」於亞洲藝術文庫。

The second of FP's 2-day intervention-insertion-installation-production performance at Asia Art Archive's new reading room concludes with a show window filled with “live” traces of FP players, friends and on-site visitors. … Another attempt to capture the rich diversities of the happenings, the author's attempt to preserve her own personal glimpses at least.

One Take, many iterations (2000-2020), the morphing life of a moment 一鏡到底:迭代延綿(2000-2020)

One Take, many iterations (2000-2020), the morphing life of a moment 一鏡到底:迭代延綿(2000-2020)

Between 2000 and 2020, a 6'38" single-take video footage has been turned into a generative series of art moments crossing artistic genres -- from videography, vocalization, sound collage, performance, sound sculpture, back to videography -- all manifesting automatism as a principle, and improvization as a main artistic method. Only the maker Linda Lai herself could elaborate on this secret history of emergence.

WCH Assemblage #1: Automatism. One step forward. No Waste | 黃竹坑聚疊(一):不假思索。多走一步。總有點甚麼。
Assemblage as Assembly「石硤尾聚疊」2022:聚集、共融

Assemblage as Assembly「石硤尾聚疊」2022:聚集、共融

熱身後的「聚疊」有了新的呼吸,5月20日晚上現場。梁志剛角度。 FPC member Michael Leung breathes with his first trial of SKM Assemblage on 20 May … Disparate geographic locations connect through loose thoughts… Assemblage growing …

Voices from the Atmosphere (1): archiving thought paths in days of isolation 「大氣中融融細語」(一): 隔離日子的思路的庫存
On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動:長路漫漫(二)

On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動:長路漫漫(二)

In part 2 of her discussion on documentary impulse, Linda Lai keys in on “there-ness” as a specific form of desire manifested in image-making in French cinema between the two world wars. With additional historical examples, she contemplates moving image’s integrity in connecting and re-inventing our experiences as technics.「記述的衝動」的下半部,黎肖嫻專注於電影記述、保存、調解和開創現實的「他在」的個性,尤其以法國二次大戰期間的電影實存和理論發展,和紀錄片的被命名為特殊的歷史個案,再談到活動影像作為連結經驗的獨有的內部技術。

On Documentary Impulse: the desire to encounter the real through making records (1) 記述的衝動:長路漫漫(一)

On Documentary Impulse: the desire to encounter the real through making records (1) 記述的衝動:長路漫漫(一)

First of 2 parts of Linda Lai’s Epilog for Our Manifestos II (2021) reproduced in Floating Teatime. Our desire to remember, preserve, transmit and retrieve drives the continuous innovation of technics, i.e. tools that embody and advance our perceptual experiences. Videography is a unique form of mnemotechnics. 記述的衝動超越了既成特定類型的「紀錄片」有更廣闊的空間。「紀錄」的初衷是《我們的錄像宣言2》(2021)的跋的主題,將分兩次於「據點一杯茶」轉載。第一部份,黎肖嫻引述不同不同的藝文創作為實例,指出我們要記住、保存、傳遞開去的衝動,推動著工藝技術的發展,打開了我們對「經驗」的重塑的新可能。

FPC / Micro Narratives 2021 “Layered Vision” 「微敘事」系列2021 《層層看》
Floating Projects Collective 2023