Searching for tag: evans-chan
談「縫補歲月」，冀「歷史毋忘」On the Mending Years, and How to Fill in the Gaps of History
How not to forget history? Wai-leung Lai turns to the concrete contribution of an object-based approach in installation art, following up on his last piece on the show Mending Years to assert the place of the non-expert in completing an art event as a form of social commemoration. 據點作者黎偉亮要求「歷史毋忘」要具體，也許在以「物」為軸的場域特定展覽《縫補歲月》中，他找到了裝置藝術所盛載的一點貢獻。
The Past or the Present: on the Exhibition “Mending Years” 昨天還是今天 - 《縫補歲月》展覽
[Mending Years 縫補歲月] Curator Ying-chi Tang sees the present in the 5 stories of the past that harp back onto the 1960s-1970s, arguing that the public and domestic are integrally one, as the artists in the group show present. 策展人鄧凝姿眼中的「縫補歲月」不單是上世紀的六七十年代，也是構成今天的一部份；透過五位創作者的視野，她看見公共領域和家居細活之間的千絲萬縷。
Evans Chan’s ‘Two or Three Things about Kang Youwei’ 康有為二三事 (2012) & ‘Bauhinia’ 紫荊 (2002)
Press Screening: Friday, 7:00pm, April 13, 2012 @ Floating Projects Collective / 放映後設有酒會。 Press Screenings of 2 works by director Evans Chan 陳耀成 《紫荊》Bauhinia (2002) Hong Kong, color, drama, in Chinese and English, with English and Chinese subtitles. 50 min. Commissioned by RTHK/香港電臺電視台邀約作品 (*Hong Kong premiere香港首映) 紐約2001 年。一位洋名為「紫荊」（李珺）的香港女留學生，正製作一部有關中國一子政策的記錄片。9/11恐怖襲擊突然發生，她剪接室的窗下是巳夷為平地的世貿中心。而她剛有了身孕…夏威夷電影節的Christopher Claxton 形容此片「泯滅了虛構與記實，創造出一個同時魘着片中人及觀眾的時空，令這不加渲染的9/11後的紐約更貼近人的生存的困境」。 In the aftermath of September 11, […]
