Searching for tag: alternative-history
談「縫補歲月」，冀「歷史毋忘」On the Mending Years, and How to Fill in the Gaps of History
How not to forget history? Wai-leung Lai turns to the concrete contribution of an object-based approach in installation art, following up on his last piece on the show Mending Years to assert the place of the non-expert in completing an art event as a form of social commemoration. 據點作者黎偉亮要求「歷史毋忘」要具體，也許在以「物」為軸的場域特定展覽《縫補歲月》中，他找到了裝置藝術所盛載的一點貢獻。
No Private Histories: Quantifying the Invisibles in Official Statistics: Domestic Moonlighting 1960s... 家居副業的生產力。只能在郵包和郵資找到的存在證據。1960年代的香港家居勞動力
[Mending Years 縫補歲月] Domestic Moonlighting (2023) adapts a work commissioned for the 9th Shanghai Biennale (2012-13). In the current iteration, Linda Lai highlights domestic moonlighting by women and children in HK in the 1960s-80s, estimated to value at postal volume of 57.5 million kg for RMB94.7 million, sent from Hong Kong to China. 《家居副業》（2023）。黎肖嫻的郵政考察顯示出上世紀六十到八十年代期間，香港婦女和小孩的家居副業從香港向中國支援，投遞了約五千七百五十萬公斤的小郵包物資，郵資總值九千四百七十萬人民幣。還有...
Evans Chan’s ‘Two or Three Things about Kang Youwei’ 康有為二三事 (2012) & ‘Bauhinia’ 紫荊 (2002)
Press Screening: Friday, 7:00pm, April 13, 2012 @ Floating Projects Collective / 放映後設有酒會。 Press Screenings of 2 works by director Evans Chan 陳耀成 《紫荊》Bauhinia (2002) Hong Kong, color, drama, in Chinese and English, with English and Chinese subtitles. 50 min. Commissioned by RTHK/香港電臺電視台邀約作品 (*Hong Kong premiere香港首映) 紐約2001 年。一位洋名為「紫荊」（李珺）的香港女留學生，正製作一部有關中國一子政策的記錄片。9/11恐怖襲擊突然發生，她剪接室的窗下是巳夷為平地的世貿中心。而她剛有了身孕…夏威夷電影節的Christopher Claxton 形容此片「泯滅了虛構與記實，創造出一個同時魘着片中人及觀眾的時空，令這不加渲染的9/11後的紐約更貼近人的生存的困境」。 In the aftermath of September 11, […]
