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24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

On 21 December 2022, 24 videographers from the Micro Narrative Laboratory presented 29 short pieces of videography enacting their presence... Varied voices. Contrasting disposition. A broad range of artistic and media resources… The works will stay on-site at Floating Projects on FOUR parallel screens 24-31 December.

Linda Lai / Emotions, Magic, Tool-being, Assemblage: Performative Videography, Micro Narratives 2022 寫情緒。玩戲法。工具在,我在。聚疊。2022微敘事選輯。抒演性錄像書寫
Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對,香港、菲律賓。

Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對,香港、菲律賓。

Space-action-interpretation. Cluster-distribution. Network-dispersion. Three locales. Distanced intimacy. Past is the present. FPC member Winsome Wong’s first solo at the Floating Projects. 以空間實作為演繹。簇的分配成為延散的網路。三種實地,遙遠的扣緊。從前就在當下。「據點。句點」成員黃慧心首度據點打開門。

Multiple artists / Voices from the Atmosphere (4): open space「大氣中融融細語」(四): 天大地大
Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

More wavering thought paths… Is remembering the same as nostalgia? What does street photography remember? Shall I be pretty, shall I be loved? What would happen to to me when I die? There are moments when you must spit it out… #4 D-Normal/V-Essay online video zine, collected and edited by Linda Lai. 記住就是懷舊了嗎?街頭攝影可記住的是甚麼?我長大後會漂亮嗎?會有人愛我嗎?我死了以後會怎樣?有些事情,確實不吐不快。… 黎肖嫻蒐集彙編,更多搖擺的思路。《平地數碼》網上錄像誌第4期。

Multiple artists / Voices from the Atmosphere (2): reconnecting, quarantine diaries… 「大氣中融融細語」(二): 嘗試連線,隔離日記
Voices from the Atmosphere (1): archiving thought paths in days of isolation 「大氣中融融細語」(一): 隔離日子的思路的庫存
On Documentary Impulse: the desire to encounter the real through making records (1) 記述的衝動:長路漫漫(一)

On Documentary Impulse: the desire to encounter the real through making records (1) 記述的衝動:長路漫漫(一)

First of 2 parts of Linda Lai’s Epilog for Our Manifestos II (2021) reproduced in Floating Teatime. Our desire to remember, preserve, transmit and retrieve drives the continuous innovation of technics, i.e. tools that embody and advance our perceptual experiences. Videography is a unique form of mnemotechnics. 記述的衝動超越了既成特定類型的「紀錄片」有更廣闊的空間。「紀錄」的初衷是《我們的錄像宣言2》(2021)的跋的主題,將分兩次於「據點一杯茶」轉載。第一部份,黎肖嫻引述不同不同的藝文創作為實例,指出我們要記住、保存、傳遞開去的衝動,推動著工藝技術的發展,打開了我們對「經驗」的重塑的新可能。

FPC / Micro Narratives 2021 “Layered Vision” 「微敘事」系列2021 《層層看》
Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化:三段不一的旅程

Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化:三段不一的旅程

19 June 2021 六月十九日. Three video essays on living through time with one’s bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai’s past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼?我是誰?我的根是甚麼?用身體的實存與行動。魏芷軍演述;潘子懷在都市神話中設置自己;Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。

Floating Projects Collective 2023