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24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

On 21 December 2022, 24 videographers from the Micro Narrative Laboratory presented 29 short pieces of videography enacting their presence... Varied voices. Contrasting disposition. A broad range of artistic and media resources… The works will stay on-site at Floating Projects on FOUR parallel screens 24-31 December.

Linda Lai / Emotions, Magic, Tool-being, Assemblage: Performative Videography, Micro Narratives 2022 寫情緒。玩戲法。工具在,我在。聚疊。2022微敘事選輯。抒演性錄像書寫
Multiple artists / Voices from the Atmosphere (4): open space「大氣中融融細語」(四): 天大地大
Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

More wavering thought paths… Is remembering the same as nostalgia? What does street photography remember? Shall I be pretty, shall I be loved? What would happen to to me when I die? There are moments when you must spit it out… #4 D-Normal/V-Essay online video zine, collected and edited by Linda Lai. 記住就是懷舊了嗎?街頭攝影可記住的是甚麼?我長大後會漂亮嗎?會有人愛我嗎?我死了以後會怎樣?有些事情,確實不吐不快。… 黎肖嫻蒐集彙編,更多搖擺的思路。《平地數碼》網上錄像誌第4期。

Multiple artists / Voices from the Atmosphere (2): reconnecting, quarantine diaries… 「大氣中融融細語」(二): 嘗試連線,隔離日記
Voices from the Atmosphere (1): archiving thought paths in days of isolation 「大氣中融融細語」(一): 隔離日子的思路的庫存
Linda Lai / The material form of remembering: thought paths and mute speech: In Defense of Manifestos (2) 「記好」的物質性,思路啞音微敘事:繼續宣言(2)

Linda Lai / The material form of remembering: thought paths and mute speech: In Defense of Manifestos (2) 「記好」的物質性,思路啞音微敘事:繼續宣言(2)

The “Prolog” of “Our Manifestos II” (2021.05) explicitly examines videography as a way of living, an attitude of life, and the quest for in-depth transformation in the midst of complex, crisis living. In the 2nd of the 5-part series, Linda Lai discusses videography as soundings, ways to voice out as crafted thought paths, the materiality of remembering as micro narratives.《我們的錄像宣言2》於「據點一杯茶」5次連載的第2篇:黎肖嫻開宗明義把錄像書寫看為一種創作人的活的型態和取向,以至於對深度轉化的渴求。如是,對錄像書寫的認知遠超狹義的藝術操守和理所當然的影像美學。這次,她提出了錄像書寫作為「發聲」的藝術的面向。「記住」,必須透過「思路」的展現,而這就是錄像的「微」敘事性格。

Linda Lai / To Anna Chim, a late reply on videography…

Linda Lai / To Anna Chim, a late reply on videography…

An accidental death in February (?) 2018 ended young artist Anna Chim’s barely started exciting journey of creative adventures. While revisiting principles of economizing in image-making in film and art history in preparation for my teaching, I accidentally returned to this saved message Anna sent me.

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。

Floating Projects Collective 2024