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Category: Personally Speaking 私物語

發明你的字句,操練你的發聲,給未有名字的起個名,為碎片堆築一條路。Share it if we deserve it: thoughts on living and being, poetry, automatic writing… silences, speechlessness, noise, soundings… fragmentary thoughts in search of a path, elliptical sentiments, the unspeakable…

One Take, many iterations (2000-2020), the morphing life of a moment 一鏡到底:迭代延綿(2000-2020)

One Take, many iterations (2000-2020), the morphing life of a moment 一鏡到底:迭代延綿(2000-2020)

Between 2000 and 2020, a 6'38" single-take video footage has been turned into a generative series of art moments crossing artistic genres -- from videography, vocalization, sound collage, performance, sound sculpture, back to videography -- all manifesting automatism as a principle, and improvization as a main artistic method. Only the maker Linda Lai herself could elaborate on this secret history of emergence.

Vanessa Tsai /「他還年輕」之後,我感念的一切 After “He’s Still Young” … thoughts abound recalling a former teacher

Vanessa Tsai /「他還年輕」之後,我感念的一切 After “He’s Still Young” … thoughts abound recalling a former teacher

A teacher who passed on more than knowledge, but inspirations. FP writer Vanessa Tsai, a teacher herself, has been inspired by Wu Sheng. 傳授知識是老師的職責,單單傳授知識的老師,也算是一個老師。「據點。句點」寫作人蔡季妙國中時遇過一個不僅單單傳授知識的老師,老師老了,相處回憶串串,縷縷如煙,卻常存心中。不求聞達不望回報,春風化雨,無聲無息潤澤大地,這是一個好老師成就另一個好老師的故事。

Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對,香港、菲律賓。

Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對,香港、菲律賓。

Space-action-interpretation. Cluster-distribution. Network-dispersion. Three locales. Distanced intimacy. Past is the present. FPC member Winsome Wong’s first solo at the Floating Projects. 以空間實作為演繹。簇的分配成為延散的網路。三種實地,遙遠的扣緊。從前就在當下。「據點。句點」成員黃慧心首度據點打開門。

《旅館》讀書會後之喃喃自語 Murmurs after group-reading HOTEL LIFE

《旅館》讀書會後之喃喃自語 Murmurs after group-reading HOTEL LIFE

Emerging from a group-reading session of Levander and Guerl’s Hotel Life , F-Teatime contributor Vanessa Tsai reflects on herself as a lone sojourner. Anything can happen…? 。「據點。句點」寫作人蔡季妙借「旅館」讀書會探討人與旅館的關係,亦訴說天涯孤客的心情:浪跡異地,各有懷抱,前路茫不可知,誰也像浮萍,誰也需要一個安心所。(

月圓夏之夢 Interspecies drama in a full-moon summer evening

月圓夏之夢 Interspecies drama in a full-moon summer evening

In an unplanned hanging out in summer, Taiwan-based FP writer Vanessa Tsai found her direct encounter with the “Brown Land Crabs” (aka Chestnut crabs, or red-claw crabs) invoking interspecies thinking: must we sustain human survival at the cost of natural survival? 據點駐台作者蔡季妙趁暑假鬆一口氣,隨心的到台南曾文溪口一遊,正值「凶狠圓軸蟹」產卵時節,觸發了「種間思維」對人和自然共生的必要性。

乾女兒 Goddaughter

乾女兒 Goddaughter

人的一生從呱呱墜地開始,長大後會變成怎樣,誰也說不準。平凡人往往有不平凡的一面 …。 “What would become of me?” One could only wait to be surprised, FP writer Wai-leung Lai writes.

《海濱》 (創作性短篇)”Riveria” (creative writing)

《海濱》 (創作性短篇)”Riveria” (creative writing)

In one long take in words, perhaps with folds of internal montage, Martin Yeung takes us into a zone of truncated space, automatic acts and fragmented speech, like the hollow in a cracked mirror. Familiar or not, it is Yeung’s way to conclude his four years of undergraduate education. 楊錫齋站在四年大學畢業峰涯留下的足跡?這短篇像夢,同時是厚潤的筆觸,一筆到底,形骸飄晃著,細緻綿密,卻只聽見回音。她一句又一個她的再一句,似曾相識。一鏡到底。折叠無盡的蒙太奇。

Multiple artists / Voices from the Atmosphere (4): open space「大氣中融融細語」(四): 天大地大
Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

More wavering thought paths… Is remembering the same as nostalgia? What does street photography remember? Shall I be pretty, shall I be loved? What would happen to to me when I die? There are moments when you must spit it out… #4 D-Normal/V-Essay online video zine, collected and edited by Linda Lai. 記住就是懷舊了嗎?街頭攝影可記住的是甚麼?我長大後會漂亮嗎?會有人愛我嗎?我死了以後會怎樣?有些事情,確實不吐不快。… 黎肖嫻蒐集彙編,更多搖擺的思路。《平地數碼》網上錄像誌第4期。

Multiple artists / Voices from the Atmosphere (2): reconnecting, quarantine diaries… 「大氣中融融細語」(二): 嘗試連線,隔離日記
Floating Projects Collective 2023