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Category: Personally Speaking 私物語

發明你的字句,操練你的發聲,給未有名字的起個名,為碎片堆築一條路。Share it if we deserve it: thoughts on living and being, poetry, automatic writing… silences, speechlessness, noise, soundings… fragmentary thoughts in search of a path, elliptical sentiments, the unspeakable…

《旅館》讀書會後之喃喃自語 Murmurs after group-reading HOTEL LIFE

《旅館》讀書會後之喃喃自語 Murmurs after group-reading HOTEL LIFE

Emerging from a group-reading session of Levander and Guerl’s Hotel Life , F-Teatime contributor Vanessa Tsai reflects on herself as a lone sojourner. Anything can happen…? 。「據點。句點」寫作人蔡季妙借「旅館」讀書會探討人與旅館的關係,亦訴說天涯孤客的心情:浪跡異地,各有懷抱,前路茫不可知,誰也像浮萍,誰也需要一個安心所。(

月圓夏之夢 Interspecies drama in a full-moon summer evening

月圓夏之夢 Interspecies drama in a full-moon summer evening

In an unplanned hanging out in summer, Taiwan-based FP writer Vanessa Tsai found her direct encounter with the “Brown Land Crabs” (aka Chestnut crabs, or red-claw crabs) invoking interspecies thinking: must we sustain human survival at the cost of natural survival? 據點駐台作者蔡季妙趁暑假鬆一口氣,隨心的到台南曾文溪口一遊,正值「凶狠圓軸蟹」產卵時節,觸發了「種間思維」對人和自然共生的必要性。

乾女兒 Goddaughter

乾女兒 Goddaughter

人的一生從呱呱墜地開始,長大後會變成怎樣,誰也說不準。平凡人往往有不平凡的一面 …。 “What would become of me?” One could only wait to be surprised, FP writer Wai-leung Lai writes.

《海濱》 (創作性短篇)”Riveria” (creative writing)

《海濱》 (創作性短篇)”Riveria” (creative writing)

In one long take in words, perhaps with folds of internal montage, Martin Yeung takes us into a zone of truncated space, automatic acts and fragmented speech, like the hollow in a cracked mirror. Familiar or not, it is Yeung’s way to conclude his four years of undergraduate education. 楊錫齋站在四年大學畢業峰涯留下的足跡?這短篇像夢,同時是厚潤的筆觸,一筆到底,形骸飄晃著,細緻綿密,卻只聽見回音。她一句又一個她的再一句,似曾相識。一鏡到底。折叠無盡的蒙太奇。

Multiple artists / Voices from the Atmosphere (4): open space「大氣中融融細語」(四): 天大地大
Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」(三): 不吐不快

More wavering thought paths… Is remembering the same as nostalgia? What does street photography remember? Shall I be pretty, shall I be loved? What would happen to to me when I die? There are moments when you must spit it out… #4 D-Normal/V-Essay online video zine, collected and edited by Linda Lai. 記住就是懷舊了嗎?街頭攝影可記住的是甚麼?我長大後會漂亮嗎?會有人愛我嗎?我死了以後會怎樣?有些事情,確實不吐不快。… 黎肖嫻蒐集彙編,更多搖擺的思路。《平地數碼》網上錄像誌第4期。

Multiple artists / Voices from the Atmosphere (2): reconnecting, quarantine diaries… 「大氣中融融細語」(二): 嘗試連線,隔離日記
Cutting Thoughts 04 剪紙憶思之四

Cutting Thoughts 04 剪紙憶思之四

In the 4th piece of her Cutting Thoughts, NY-based artist Cici Wu articulated her liminal state in search of her presence as part of multiple continua — human and cosmic. 《剪紙憶思》之四。武雨濛讓思潮流淌是自由,涓流所到之處風景卻不一樣。個人、存在、氣質,都在眾數的連續體中浮沈、穿梭,自有其道。

Cutting Thoughts 03 剪紙憶思之三

Cutting Thoughts 03 剪紙憶思之三

In the 3rd of a 4-piece contemplation on her overstaying in home city Hong Kong, Cici Wu persists in grasping the complexity of the city’s colonial experience, but can’t help linking that to the impossibility of a definite denouement in life encounters. 《剪紙憶思》之三。讓流淌的思潮穿梭於殖民經驗的繁複性,以至生活機遇的沒有清晰的結局。

Cutting Thoughts 02 剪紙憶思之二

Cutting Thoughts 02 剪紙憶思之二

In the 2nd of a 4-piece contemplation on her overstaying in home city Hong Kong, artist Cici Wu articulated her liminal state as writing and paper-cutting moments. Love has no tenses. Experiences are difficult to compare without a shared framework of value. 《剪紙憶思》之二。讓思潮流淌是自由,涓流所到之處風景卻不一樣。武雨濛的點滴。

Floating Projects Collective 2023