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Searching for tag: journeys-of-the-selves

《海濱》 (創作性短篇)”Riveria” (creative writing)

《海濱》 (創作性短篇)”Riveria” (creative writing)

In one long take in words, perhaps with folds of internal montage, Martin Yeung takes us into a zone of truncated space, automatic acts and fragmented speech, like the hollow in a cracked mirror. Familiar or not, it is Yeung’s way to conclude his four years of undergraduate education. 楊錫齋站在四年大學畢業峰涯留下的足跡?這短篇像夢,同時是厚潤的筆觸,一筆到底,形骸飄晃著,細緻綿密,卻只聽見回音。她一句又一個她的再一句,似曾相識。一鏡到底。折叠無盡的蒙太奇。

Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化:三段不一的旅程

Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化:三段不一的旅程

19 June 2021 六月十九日. Three video essays on living through time with one’s bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai’s past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼?我是誰?我的根是甚麼?用身體的實存與行動。魏芷軍演述;潘子懷在都市神話中設置自己;Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。

NGAI Tsz-kwan / A Trip to “There” — an indefinite journey that fuels itself 在記述的軌道上作內部連結:《我在追憶,我在追,我在》

NGAI Tsz-kwan / A Trip to “There” — an indefinite journey that fuels itself 在記述的軌道上作內部連結:《我在追憶,我在追,我在》

It is perhaps a maker’s natural obsession to narrate oneself, deliberately or not, but through one’s life-time. A Trip to There, Tracey’s graduation thesis, is in a way a monumental push to enter this journey in flux. Embracing all she can, there also always seems to be void to fill. Traces of her having been there are as concrete with a forensic rigor. 每個創作者都曾經 — 以至窮盡一生 — 有意識或不自覺的記述自我。年青藝術創作人魏芷軍很用力的穿過這甬道,滿滿的收穫,卻又惘然若失。實在的卻是用時間和身體鑄出來的創作道途。愛看(錄像)作品的朋友們:這裡,你會讀到一個認真地記下來的寶貴創作歷程。潛進後,我們會對藝術的耕耘多一份敬意嗎?

Faith Monsod / Liminality & the full-stop that never came 虛界裡的游離身份,等待不會來的句號。

Faith Monsod / Liminality & the full-stop that never came 虛界裡的游離身份,等待不會來的句號。

Is there an intangible essence that might embody who we are? What positions do memories hold in forming one’s identity? Do our physical bodies suffice in representing us? How much of our sense of self relies on the reflexive process that governs our interpersonal relationships? HK-born Faith Monsod commits her graduation thesis to the quest.「我是誰」可以被理解為無形的實質嗎?例如,記憶能賦予我個人身份嗎?我的身體足以表徵我時誰?我的「自我意識」有多少是由我與別人的變動中的關係所衍生的?出生於香港的 Faith Monsod 用一個21分鐘的畢業作品去回應。

Floating Projects Collective 2024