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《海濱》 (創作性短篇)”Riveria” (creative writing)

《海濱》 (創作性短篇)”Riveria” (creative writing)

In one long take in words, perhaps with folds of internal montage, Martin Yeung takes us into a zone of truncated space, automatic acts and fragmented speech, like the hollow in a cracked mirror. Familiar or not, it is Yeung’s way to conclude his four years of undergraduate education. 楊錫齋站在四年大學畢業峰涯留下的足跡?這短篇像夢,同時是厚潤的筆觸,一筆到底,形骸飄晃著,細緻綿密,卻只聽見回音。她一句又一個她的再一句,似曾相識。一鏡到底。折叠無盡的蒙太奇。

Linda Lai / From thick descriptions to radical empiricism: In Defense of Manifestos (4) 聲影的純厚描述衍生革新的經驗論:繼續宣言(4)

Linda Lai / From thick descriptions to radical empiricism: In Defense of Manifestos (4) 聲影的純厚描述衍生革新的經驗論:繼續宣言(4)

In part 4 of Linda Lai’s Prolog reproduced for Floating Teatime, she accounted for how Manifestos 2 evolved from Manifestos 1 — a major shift from a Deleuzian contemplation of time and space to radical empiricism. 《我們的錄像書寫2》「序言」轉載的第4節:黎肖嫻指出從「宣言一」到「宣言二」的衍化和突破:跳出德勒茲式對活動影像中對時間的純厚描述而重點轉移到革新的經驗論。

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