Between 2000 and 2020, a 6'38" single-take video footage has been turned into a generative series of art moments crossing artistic genres -- from videography, vocalization, sound collage, performance, sound sculpture, back to videography -- all manifesting automatism as a principle, and improvization as a main artistic method. Only the maker Linda Lai herself could elaborate on this secret history of emergence.
From her pool of automatic drawings turned wooden fragments of her dreamwork, young artist Cherie Wong shows us a certain inquisitive state of mind. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，是尋問的現在進行式。
From her pool of automatic drawings turned wooden fragments of her dreamwork, young artist Cherie Wong goes round and round in circles. An endless journey. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，太空無邊際，峰迴路轉卻有軌跡。
Push! And a door will open. Push is a special charm to Linda Lai, a magic word she has used for several of her artworks, “PUSH Push – automatism” shares glimpses of her mind-scape, an enigmatic zone with strides of montage and poetry.「推」，推開了神秘的門，領進魔幻之地。《推。推。不假思索》推開了作者某幾個時刻的紛繁思潮世界。斷、折，又絲連。是詩與蒙太奇的步履。
/ Linda Lai I have been spending quite a bit of time digging up hidden waste to turn them into treasures for the Floating Projects — from my home, from my office, from my work studio… Happy to see the circulation of furniture and books and re-purposing of things accumulated through time. Last week, I […]