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WCH Assemblage #1: Automatism. One step forward. No Waste | 黃竹坑聚疊(一):不假思索。多走一步。總有點甚麼。
六顆子彈 6 Bullets, an exchange

六顆子彈 6 Bullets, an exchange

FPC dialogues… Jess Lau wrote a poem and shared it with Linda Lai, who wrote a poem in response. The exchange develops into that of images. 劉清華隨心寫了一首詩,分享了給黎肖嫻。黎回了另一首詩。後來這個對話由文字推至圖像。

微敍事 的 家庭現象 :  牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon

微敍事 的 家庭現象 : 牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon

Ding Cheuk-laam’s notes from the 1st discussion forum of Have a Balanced Diet 3: Home-Making (11 July 2019) 丁卓蓝於7月11日「日常飲像影食3: 間房要唔要牆?」第一次放映和討論會後有所發現。

Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法:褶疊待延的皇后大道中

Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法:褶疊待延的皇后大道中

…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze>   Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]

Andio Lai / Voices from “Nothing Can Come Closer” (3) 無法取得位置:弦音(三)
YIP Kai-chun, Winnie Yan / Voices from “Nothing Can Come Closer” (2) 無法取得位置:弦音(二)
Voices from “Nothing Can Come Closer” (1) 無法取得位置:弦音(一)

Voices from “Nothing Can Come Closer” (1) 無法取得位置:弦音(一)

Individual works from “Nothing Can Come Closer”: Lam Kin-choi, Wong Fuk-kuen《無法取得位置》作品逐個講:林建才、黃福權

Winnie Yan / Document as medium, archive as structural framework 檔案作為一個媒介 | 檔案庫作為一個架構: 李繼忠韓國藝術駐場研究之旅

Winnie Yan / Document as medium, archive as structural framework 檔案作為一個媒介 | 檔案庫作為一個架構: 李繼忠韓國藝術駐場研究之旅

A visit to Gwangju Biennale alerted FPC member Lee Kai-chung to the possibilities of doing an artist’s residency in Seoul to study archiving practices for art, which he did and shared upon his return to HK in “Can’t Live Without.” 「這次駐場計劃是基於第一次在光州雙年展後到訪過MMCA作資料搜集的經驗出發的。那時其實並不知道有駐場計劃可以申請,只是純屬對一個藝術館的好奇…」

First exposure to 16mm shooting 初嘗16米釐

First exposure to 16mm shooting 初嘗16米釐

On 22 July 2017, seven FPC members and friends participated in Richard Tuohy and Dianna Barrie’s 16mm workshop with two Bolex cameras. Using “reverse printing” method, we were able to “develop” two rolls of films made in the Shamshuipo neighborhood the same day and view the outcome at the end of the day with great excitement. […]

Kel Lok / 剩物變變變…點止怪物咁簡單!From the scraps: more than monsters!

Kel Lok / 剩物變變變…點止怪物咁簡單!From the scraps: more than monsters!

Kel Lok, FP member, artist of “Toy as Medium” and workshop host for “Monster Assemblage,” shares with us the more-than-monsters created on 3 December 2016 with visitor-participants.

Floating Projects Collective 2023