“Sketch 2” picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore — on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members’ pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》– 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義，也是「據點。句點」成員的再一次聚疊，透過展示他／她們的「稿」件，用另一種方法展示他／她們的藝術關注和創作上的路徑。21天。天天換景，重組再疊。行動就是探索。
10月10-25日在據點現場發生的即興展／演《音》，是句點成員黎仲民的又一次實驗。新冠狀病毒期間可以搞怎樣的展覽？聲音的表演和展覽可以如何結合？取來的素材，是黃竹坑時期的 FP1.0 表演的翻新，以及石硤尾年頭的 FP2.0的表演紀錄，那會產生的是甚麼新活動？On site on 10-25 October at Floating Projects, A U D I O, a pop-up, is another one of FPC member Andio Lai’s experimental events of impromptu nature. With raw material from performances of FP1.0 (Wong Chuk Hang) and FP2.0 (Shek Kip Mei) as they were documented in different formats, what would be the outcome of the integration of sound, performance and exhibition?
FP member Andio Lai, Co-curator of “Toy as Medium” (opening 20 Nov 2016), recalls the meandering trail of his childhood events, code-named “Cyclone Magnum.”
A casual chat in a summer afternoon among 3 FP members ignited childhood passion and intellectual curiosity, leading to a toy show in November. “Wai and Kel’s model making involves intense concentration and techniques that parallel … art making,” Andio Lai discovers.
4D piano + No Bicycle Wheel / a work at WCH Assemblage #2 黃竹坑聚疊（二）/ on until 22 September 2015 @ Floating Projects I reorganized some of my tools for a future performance happening also in Wong Chuk Hang into a 4D piano. A main idea of Floating Projects is an ever-changing space and, for me, it is […]