Searching for tag: floating-projects-collective
聚疊的各種天氣 The weathers of the assemblage-assemblies
It takes many brains and strong desires to subvert a bulk of junk — Fuk-kuen Wong looking back at the Assemblage events in May and June 2022. 要顛覆一堆垃圾，確實需要大量腦汁＋動手的慾望。黃福權回望兩個月來的石硤尾「聚疊」重探。
One kind of Report: FP: what ‘participatory art’ can be 一點個人回顧：「據點」告訴我「參與式藝術」可以是怎樣的？
With the outlook to understand Floating Projects itself as a collective, and to understand other collectives in order to be part of a bigger critical community with art in the core, Linda Lai wrote a personal “interim report” on FP 1.0, 2.0, and projectively FP 3.0. 黎肖嫻寫在據點 3.0 的萌生時刻。已知的，未可知卻可見的，「據點。句點」群體如何朝向更落實的參與式藝術創作？
Sketch 2: Floating, Surfing, Working on… 再稿: 浮遊，流動，工作進行中
“Sketch 2” picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore — on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members’ pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》– 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義，也是「據點。句點」成員的再一次聚疊，透過展示他／她們的「稿」件，用另一種方法展示他／她們的藝術關注和創作上的路徑。21天。天天換景，重組再疊。行動就是探索。
Jess Lau / Life as ‘ignis fatuus’: the voyage with Tamas Waliczky from Ancient Egypt to Venice Biennale 現實中的虛幻：Tamas Waliczky 帶我從古埃及到他的威尼斯雙年展
「據點。句點」成員劉清華與動畫藝術家老師的近距互動，是一生的創作態度的啟發。FPC member Jess Lau’s close encounter with animation professor Tamas Waliczky induces life-long commitment to the question of what it means to be an artist.
FPC / Return Flight: MEL<---->HKG, after a year, the making of…
FPC members participated in an cross-ocean exchange of image and text with artists in Melbourne as the third and final episode of Elizaveta Maltseva’s curatorial project, in collaboration with the Melbourne-based literary journal Going Down Swinging. One year has passed since the show Return Flight: MEL <---->HKG met the public in Melbourne (August) and Hong Kong (September) respectively. This short video looks back on our exchange conversation. 《回程機：墨爾本<---->香港》18個兩地創作人的圖文交流轉眼已是一年前的事。存留的檔案為我們抓住了一些神髓。
Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法：褶疊待延的皇后大道中
…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze> Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]
FPC members / Let me see if I can put it in words: between FP 1.0 and FP 2.0 總有一點想法：「據點。句點」1.0 與 2.0 之間
Here we have recorded thoughts that could only be preserved and shared in words, from FPC members, including those just arriving and departing, between FP 1.0 and FP 2.0. 「據點。句點」1.0 與 2.0 之間，新成員、舊成員、離開了的成員，都用上了時間去勾畫這片據點。
LAI Wai-leung / 從2.0回望 An insider taking on an outsider’s retrospective glance at FP 1.0 from FP 2.0
FP insider Wai-leung Lai (FP writer) takes an outsider’s view on the 3-year FP 1.0 at Wong Chuk Hang. 據點作者黎偉亮用局中人的局外視點輕輕的回看在黃竹坑的「據點 」第一個三年。
FPC members, Wong Chun-hoi / 計劃聚集記錄 Record of ensemble-plan
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺，不加思索地處理著現成物料，推斷著現成/被棄物的物理性，可衍生的下一步，聚疊遊戲後又衍生即興演出《據點空間壓力測試》系列。是次據點聚疊這空間「變形蟲」外遊來到了台北的非常廟藝文空間。王鎮海作了詳盡的記述。Wong Chun-hoi, FP’s Artistic Engineer, keeps a dense record of the process of staging FP’s Assemblage game in a gallery in Taipei.
FPC members / 《吹脹．影像》繼續吹 “Expænsive Cinema”, keep blowing, keep expanding
9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的？他們多方對策：投影的器具、所投的影像何來、成像的過程、展示影像的「面」…
