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Searching for tag: elemental-dynamite

LAI Wai-leung / 無中生有 沒有故事的故事 相原信洋的世界 The world of Nobuhiro Aihara: whence comes the story

LAI Wai-leung / 無中生有 沒有故事的故事 相原信洋的世界 The world of Nobuhiro Aihara: whence comes the story

黎偉亮 寫《原格破裂 – 動畫的互媒實驗綜覽》研究計劃夏季放映會《第三眼-相原信洋作品選》。FP writer Wai-leung Lai appreciates Nobuhiro Aihara’s unconventional take on histories, memories and realities.

Verina Gfader / Neighbourhoods & Aliens 鄰舍。陌路人。
Phantom Horizons 幻地平線
Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus

Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus

Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品,結合了表演、投影、裝置、雕塑和圖形組合。如此,他為「原格破裂」的夏季熱浪畫上句號。

Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限,向歐美日實驗動畫借鏡

Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限,向歐美日實驗動畫借鏡

Lee Hangjun offers a defence for experiments in the animated picture: collapse the story-documentary-experimental triad, as the 11 work (1935-2015) from Europe and Japan manifest. 首爾實驗電影及動畫節總監李幸俊 以11部歐美日作品(1935-2015)去說明擺脫「故事-紀錄-實驗」三分法的囹圄去打開動畫的可能性早有先例。

Photographic Survey: Korean experimentation of the animated picture 地域實驗 I -圖像勘測

Photographic Survey: Korean experimentation of the animated picture 地域實驗 I -圖像勘測

EXiS Program Director Hangjun Lee surveyed the contemporary scene of experimental cinema in Korea in relation to animation and its expanded forms. 「首爾實驗電影錄像節」節目總監李幸俊素描當代韓國實驗活動影像的風景,尤其與動畫和動畫的延伸的千絲萬縷。

“Elemental Dynamite” kicks off this week with rare treasures

“Elemental Dynamite” kicks off this week with rare treasures

[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。

《原格破裂》為何動畫? | 夏季 | 據點 “Elemental Dynamite” kicks off this summer

《原格破裂》為何動畫? | 夏季 | 據點 “Elemental Dynamite” kicks off this summer

【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。

Documentary Animation ‘Ever-changing Monument’ by Lilian Fu

Documentary Animation ‘Ever-changing Monument’ by Lilian Fu

傅詠欣 Lilian Fu’s latest work Ever-changing Monument is a documentary animation funded by the Hong Kong Arts Development Council (ADC).     Public Screening: November 26, 2011 7:00p.m. at FPC ****** Ever-changing Monument   7 minutes / 2011 / Hong Kong/United Kingdom A work of animated documentary by Lilian Fu 傅詠欣 In this project, I […]

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