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Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus

Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus

Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品,結合了表演、投影、裝置、雕塑和圖形組合。如此,他為「原格破裂」的夏季熱浪畫上句號。

Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限,向歐美日實驗動畫借鏡

Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限,向歐美日實驗動畫借鏡

Lee Hangjun offers a defence for experiments in the animated picture: collapse the story-documentary-experimental triad, as the 11 work (1935-2015) from Europe and Japan manifest. 首爾實驗電影及動畫節總監李幸俊 以11部歐美日作品(1935-2015)去說明擺脫「故事-紀錄-實驗」三分法的囹圄去打開動畫的可能性早有先例。

Photographic Survey: Korean experimentation of the animated picture 地域實驗 I -圖像勘測

Photographic Survey: Korean experimentation of the animated picture 地域實驗 I -圖像勘測

EXiS Program Director Hangjun Lee surveyed the contemporary scene of experimental cinema in Korea in relation to animation and its expanded forms. 「首爾實驗電影錄像節」節目總監李幸俊素描當代韓國實驗活動影像的風景,尤其與動畫和動畫的延伸的千絲萬縷。

WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子

WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子

王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來,經過分享展出,三個月的經驗沈澱,輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察,無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期,實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.

Jessica Fu / 哥多華當代美術中心創作紀錄:定睛眼前,凝視過去,觀望宇宙 Documenting C3A Cordoba: site-specific views of the invisible and the potential

Jessica Fu / 哥多華當代美術中心創作紀錄:定睛眼前,凝視過去,觀望宇宙 Documenting C3A Cordoba: site-specific views of the invisible and the potential

完成「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃的Jessica Fu回顧一個月的體驗,再次覺悟她我的特定環境裝置作品往往是個引導體,領觀眾超越可見作品的本身朝向為可見的未來,應對數據爆發的時代的無助感。Jessica Fu completed her month-long residency in Cordoba’s C3A, FP’s first edition of artist’s residency at Centro de Arte Contemporáneo, Cordoba, Spain. She understands her site-specific installations are often visible vehicles that lead their beholder to the unknown visible of the future and, personally, her response to a sense of helplessness living in a milieu of exploding data yet kept esoteric by authorities.

Floating Projects Collective 2024