Assemblage at Floating Projects (FP Assemblage) started with two personal stories. Initiation of the Assemblage events are documented here in writing, on 14 July 2015, on the eve of FP1.0’s Grand Opening… (this version: updated May 2022 for D-Normal/V-Essay issue 5)
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來，經過分享展出，三個月的經驗沈澱，輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察，無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期，實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺，不加思索地處理著現成物料，推斷著現成/被棄物的物理性，可衍生的下一步，聚疊遊戲後又衍生即興演出《據點空間壓力測試》系列。是次據點聚疊這空間「變形蟲」外遊來到了台北的非常廟藝文空間。王鎮海作了詳盡的記述。Wong Chun-hoi, FP’s Artistic Engineer, keeps a dense record of the process of staging FP’s Assemblage game in a gallery in Taipei.
Wong Chun-hoi pins down his critical parameters for the highly acclaimed “Ten Years” series … 《十年》，二十日後感 ／ 王鎮海
This is a scene captured on camera some time around 18th July, 2012, in an industrial building in Kwai Chung. A few of us were in the studio of Fiona Lee’s (Left 1) that day. She was preparing her light bulb sound performance <<delight>> for an upcoming exhibition in Korea. We went there to […]
「據點。句點」 成立了快半年，玩了三次聚疊遊戲，以現成物作為材料去「堆砌」一個「展覽」。我想在這裡中途總結一下至今的一些浮面的潛在規則。 0。身處展場，或用你的方法去存在於此 1。只能用你在時限內得到的材料，可以是撿拾的，可以是自己帶來的，總之不要浪費金錢 2。接受同場發生的任何事，並善用它，改變它，也必需接受展出期間的任何後期聚疊（即別人後加的改變或再創作）