Here we have recorded thoughts that could only be preserved and shared in words, from FPC members, including those just arriving and departing, between FP 1.0 and FP 2.0. 「據點。句點」1.0 與 2.0 之間，新成員、舊成員、離開了的成員，都用上了時間去勾畫這片據點。
On 22 July 2017, seven FPC members and friends participated in Richard Tuohy and Dianna Barrie’s 16mm workshop with two Bolex cameras. Using “reverse printing” method, we were able to “develop” two rolls of films made in the Shamshuipo neighborhood the same day and view the outcome at the end of the day with great excitement. […]
9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的？他們多方對策：投影的器具、所投的影像何來、成像的過程、展示影像的「面」…
Hugo Yeung accounts for what his first solo show, What Death Tells Me, tells him about cinema. Shuttling between sound, image and story, the drifting open-ended journey amounts to a narrative mode and experience afforded only by digital data and computational cinema.