Searching for tag: fpc-art
Andio Lai / Toy as Medium: artistic passion, self expression and the circuits of cultural artifacts 玩具之間：（再）創造熱情、表述、聚疊…以外
A casual chat in a summer afternoon among 3 FP members ignited childhood passion and intellectual curiosity, leading to a toy show in November. “Wai and Kel’s model making involves intense concentration and techniques that parallel … art making,” Andio Lai discovers.
WONG Fuk-kuen /《現在進行》一思再思 Present Continuous: still thinking…
Critique, review, critique, self-discovery, artistic experimentation, critique, articulation, self-discovery… Wong Fuk-kuen finds himself in this recurrent routine Floating Projects highly values. Extreme modes of artistic exploration of things in our physical world often push us (him) in the direction of science… Danger, Wong finds, is the unique interface he generates in his exploration.
CHEUK Wing-nam /「觸不感」觸及我創作的靈感技術資源以至藝術界別的區分
Wing Cheuk looks back on her first solo exhibition, “No Sense of Touch” (18 June to 6 July 2016), at the Floating Projects…
![YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition](https://fpchk.s3.ap-southeast-1.amazonaws.com/2016/06/Review_byYY_ampostMay2016_hardworkingburningelectricity-468x328.jpg)
YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition
[FP EXHIBITION REVIEW] Yeung Yang identifies three sets of dilemma – techno-culture, dumb objects, and the challenge of a solo show – and ponders on the place of affect in Wong Chun-hoi’s “Hardworking Burning Electricity.”
Josef Bares / Lee Kai Chung, “So Many Quiet Walks to Take” – from archiving history to becoming private
[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung’s strategy of rendering public records to “becoming private,” “expressing some things and feelings too nuanced to be expressed in words.”
Josef Bares / Wong Chun-hoi’s “Hardworking Burning Electricity”
[FP EXHIBITION REVIEW] Josef Bares makes sense of an assemblage of cables and switches in Wong Chun-hoi’s solo show — electricity personified…
聚疊遊戲－在工場走後門看天空 The ‘assemblage’ game: a piece of ceiling on the floor
「據點。句點」 成立了快半年，玩了三次聚疊遊戲，以現成物作為材料去「堆砌」一個「展覽」。我想在這裡中途總結一下至今的一些浮面的潛在規則。 0。身處展場，或用你的方法去存在於此 1。只能用你在時限內得到的材料，可以是撿拾的，可以是自己帶來的，總之不要浪費金錢 2。接受同場發生的任何事，並善用它，改變它，也必需接受展出期間的任何後期聚疊（即別人後加的改變或再創作）
Andio Lai / 4D piano + No Bicycle Wheel @ WCH Assemblage #2: the idea of combining things
4D piano + No Bicycle Wheel / a work at WCH Assemblage #2 黃竹坑聚疊（二）/ on until 22 September 2015 @ Floating Projects I reorganized some of my tools for a future performance happening also in Wong Chuk Hang into a 4D piano. A main idea of Floating Projects is an ever-changing space and, for me, it is […]
CHEUK Wing-nam / 釣勝於魚的裝置遊戲 － 據點・句點
/ Wing 卓穎嵐 (participating artists at WCH Assemblage #2) 這是個意想不到的收穫。自從上次去過「據點．句點」（下稱據點）看到部鋼琴之後，已經有意思想向部老鋼琴埋手，改造成其他裝置。於是就向王鎮海(下稱海狗)問一下，能否改裝。他答最緊要肯來拆，不要問，做吧！ 對，我們很多時都有很多想法，想做這些想做那些，但因為各種藉口而推掉了。 於是，當我完成手上的展覽後，就開始和另一個據點藝術家黎仲民(Andio Lai)商討一下如何改裝這個鋼琴。這是一個平和的星期六下午，我去到那裡先拆掉外面的木架，露出鍵盤的機關。(其實，黃竹坑真的很近。現場即興的三日間，我由紅磡車站搭171到據點都只花半句鐘。)
Wendy Tai / Current… 戴煥婷的《流》
– Wendy TAI Current opens on July 31 at FPC. Opening reception begins 6:00pm Exhibition period: 31.07-15.08.2010 #1 The gallery floor is covered in charcoal portraits. The portraits are drawn from a bird’s eye view, as if looking down at a mass of mingling people from above. It could be you. We are socially conditioned […]
