An epilogue written on 22 June 2018 by Linda Lai for Videography. Micro Narratives. Temporal Beings. Our Manifesto / 2018]***黎肖嫻為《我們的錄像宣言》（2018）寫於2018年6月22日的「結語」。
Here we have recorded thoughts that could only be preserved and shared in words, from FPC members, including those just arriving and departing, between FP 1.0 and FP 2.0. 「據點。句點」1.0 與 2.0 之間，新成員、舊成員、離開了的成員，都用上了時間去勾畫這片據點。
黎肖嫻談粵語電影通俗劇的操作，以至吳子昆於「文字機器創作集」第6輯「象裡有象：通電作影」之《全情定位漂浮系統》（2018年9月1日開幕）的媒體分解遊戲 | notes by Linda Lai on melodrama’s nature and Kwan’s treatment in [G]Local Empathy System (opening 1 September 2018, curated by Lai), the first of a 3-exhibition series, “Cinema Expanding: Visualizing the Unseen,” the Writing Machine Collective 6th edition.
Several visitors — Evelyn Char, Yang Yeung and Eddie Cheung — have preserved precious impressions for Man Mei-to’s recent 3-week solo show “the Distance of Space” at Floating Projects.
Part 1 of artist/scholar Linda Lai’s multi-episode narrative poem on living across two centuries, a contemplation on time and space as experienced… written over a cup of hot chocolate – English version. 2018年元旦日，黎肖嫻用了一個小時呷著一杯和暖的巧克力。這樣，兩個世紀的心情、不同的時空對策忽然安好坐落在一個思維地表之上，連線起來。
**Part 1 of artist/scholar Linda Lai’s multi-episode narrative poem on living across two centuries, a contemplation on time and space as experienced… written over a cup of hot chocolate. 2018年元旦日，黎肖嫻用了一個小時呷著一杯和暖的巧克力。這樣，兩個世紀的心情、不同的時空對策忽然安好坐落在一個思維地表之上，連線起來。
On 22 July 2017, seven FPC members and friends participated in Richard Tuohy and Dianna Barrie’s 16mm workshop with two Bolex cameras. Using “reverse printing” method, we were able to “develop” two rolls of films made in the Shamshuipo neighborhood the same day and view the outcome at the end of the day with great excitement. […]
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media…
To make a monument that does not monumentalize… Linda Lai explains her conception of “Mnemonic Archiving” in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May – 3 July 2016.
These manifestos are to accompany the 18 works in the Concrete Videos program to be screened at Floating Projects, 4:00-6:00pm, 9 January 2016, produced and curated by Linda Lai. +The project described here was partially supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China (Project No. 9042111 […]