Localized Blindness (2019-2020) is Winnie Yan’s most recently completed video work, for Manifesto 2. She spotlit the backstage of the work’s making process, performing the complex world of thoughts and emotions traversing within. 忻慧妍的《局部失明》含蓄如密碼佈陣，定睛創作的後台是另一種風景。與其說是心情和動機上的剖白，不如說是現在進行式的隨著她的思緒找發聲的調韻。聽一個人所訴之白跟看著一個人訴白，是兩個不同的經驗，都源自記錄的衝動。
Four works on a monitor… collage, montage, still and moving. Restless assertions. Inquisitive hypothesis… 動動象。打開動畫。自言自語。若有所失。
Eight projections on a flat service… collage, montage, still and moving. Restless assertions. Inquisitive hypothesis… 動動書。一個意象接另一個意象。8個投在小桌面上的思考流，隨你參詳。
Five Ventriloquists artists show their dreamwork created with their own audio-visual language. It all lies in the crevices, fractures and gaps between shots, between locations, between actions… 夢作業是人存在的無形證據，實在處在夢象與夢象之間，在夾縫中，在虛處，在結合之間的斷裂處，是眾數的斷層。《腹語系》創作者也參與構築夢的敘事語法。
Twelve personal thought paths share the same space within a theatre box, each a unique stream of murmurs, together a torrent of existential quests. 十二串個性不同的思緒共享一個微型的小黑盒劇場，各有嗓音，合起來是洪流。態度的堅持，存在的疑問，主體的尋溯，無名渴求，生老病死。
“Levitated Potentiality 2019,” presented by FP at the FLAME Festival HK, gathers video works that connect with the experimental tradition, highlighting the narrative intricacy of the very process of an image discourse unfolding in time. 8 artists shows 14 video works.
Linda Lai elaborates on a video art program she recently presented at the EXiS 2017 (Seoul) to map a trajectory of practices in contemporary video art in the Asia Pacific.
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media…