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On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動:長路漫漫(二)

On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動:長路漫漫(二)

In part 2 of her discussion on documentary impulse, Linda Lai keys in on “there-ness” as a specific form of desire manifested in image-making in French cinema between the two world wars. With additional historical examples, she contemplates moving image’s integrity in connecting and re-inventing our experiences as technics.「記述的衝動」的下半部,黎肖嫻專注於電影記述、保存、調解和開創現實的「他在」的個性,尤其以法國二次大戰期間的電影實存和理論發展,和紀錄片的被命名為特殊的歷史個案,再談到活動影像作為連結經驗的獨有的內部技術。

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