Author's post:
Everlyn Char, Yang Yeung, Eddie Cheung / Distance of Space, Materialized bodily presence: visitors’ notes 訪者絮語:文美桃彼岸之地
Several visitors — Evelyn Char, Yang Yeung and Eddie Cheung — have preserved precious impressions for Man Mei-to’s recent 3-week solo show “the Distance of Space” at Floating Projects.
Evelyn Char / 走過泡菜大地（二）：韓國光州、1980…2016 Gwangju’s ACC: site of revolt transfigured
Evelyn Char explores South Korea’s biggest state-own Asia Culture Center, which archives art historical documents from various countries in Asia. She discovers that this new national monumental sits right on the former site of the 10-day long Gwuangju (Kwangju) Uprising in 1980 (aka May 18 Democratic Uprising, UNESCO), or Gwangju Democratization Movement.
Evelyn Char / 走過泡菜大地（一）：韓國光州及首爾的藝旅勾描，光州雙年展以外 Art in Gwangju and Seoul beyond the biennales
A deliberate dual emphasis on domestic artists and international stars, the care for documentation and criticism as regular agenda items, and growing experiments on alternative independent art-space models from within the art community… Evelyn Char notes her observation in a recent art tour to Gwangju and Seoul.
Evelyn Char / 恩寵、剝落、熄滅（四段之一）
/ 查映嵐 (Evelyn CHAR) (i) 你是此生最美好的恩寵（當時我沒有發現），我或非你最愛之人， 但你的小身體，始終慷慨，可以無止境地給予，在你那裡沒有傷害，只有最深最純粹的，兩個生命體之間的交通。但這樣的恩寵被沒收了，如是我流落在這個荒野般的現世，再也沒有倚靠與憑藉，再也沒有歸去的處所。我獨自在這世上，失去恩寵的世界， 只剩下無止盡的黑暗，那是一個沒有光、沒有風、沒有水的星球，我衣不蔽體，只能在那裡承受並等待，接續而來的傷害。
