Searching for tag: contemporary-art
Vicky Do / Space | power | IDENTITIES: a Review of the image exhibition, “What Do You Want For Tomorrow”
Photographer Vicky Do reviews “What Do You Want For Tomorrow” (2016.08.10-2016.09.26, HK Heritage Museum) curated by Wong Wo-bik and Stella Tang. She finds this 12-woman art event more than a photography show or one that tokenizes women.
Evelyn Char / 走過泡菜大地（一）：韓國光州及首爾的藝旅勾描，光州雙年展以外 Art in Gwangju and Seoul beyond the biennales
A deliberate dual emphasis on domestic artists and international stars, the care for documentation and criticism as regular agenda items, and growing experiments on alternative independent art-space models from within the art community… Evelyn Char notes her observation in a recent art tour to Gwangju and Seoul.
Winnie Yan / 聲音觀察誌 Observing sounds…
Winnie Yan recounts her stagger towards appreciating sound-making that encourages the immediacy of exchange versus music for trained ears… 忻慧妍的聲音觀察誌 － 如何一步一步挨近聲音藝術。
CHEUK Wing-nam /「觸不感」觸及我創作的靈感技術資源以至藝術界別的區分
Wing Cheuk looks back on her first solo exhibition, “No Sense of Touch” (18 June to 6 July 2016), at the Floating Projects…
![YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition](https://fpchk.s3.ap-southeast-1.amazonaws.com/2016/06/Review_byYY_ampostMay2016_hardworkingburningelectricity-468x328.jpg)
YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition
[FP EXHIBITION REVIEW] Yeung Yang identifies three sets of dilemma – techno-culture, dumb objects, and the challenge of a solo show – and ponders on the place of affect in Wong Chun-hoi’s “Hardworking Burning Electricity.”
Linda Lai / A constellation with dotted connectivity: why I made a dispersive monument
To make a monument that does not monumentalize… Linda Lai explains her conception of “Mnemonic Archiving” in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May – 3 July 2016.
Wendy Tai / Current… 戴煥婷的《流》
– Wendy TAI Current opens on July 31 at FPC. Opening reception begins 6:00pm Exhibition period: 31.07-15.08.2010 #1 The gallery floor is covered in charcoal portraits. The portraits are drawn from a bird’s eye view, as if looking down at a mass of mingling people from above. It could be you. We are socially conditioned […]
Edwin Lo / 十二聲度的 “Weiwei…Vito” 輕柔呼喚喚出了甚麼合作？
– Edwin Lo “Acconci Studio and Ai Weiwei: A Collaborative Project” 8 May – 4 July, 2010 // Para/Site Art Space, Hong Kong Para/Site 藝術空間近年來一直專注於引入海外藝術家來香港展出作品。剛剛在藝術空間展出完畢的，是兩位甚具份量的當代藝術家艾未未（中國）和Vito Acconci（美國）。 兩位本來已屬重量級的當代藝術人物, 又是有名的建築家，這次同臨香港, 更開宗名義的以 “ Ai Wei Wei + Vito Acconci Studio: A Collaborative Project”為前題進行對話式的展覽。明顯的是, “collaborative” 是一個關鍵詞; 但是這一次展覽如他們在Para/Site和Asia Art Archive協辦的簡報一樣,「合作」這方面是令人相當失望的。 這一次展覽的創作方針是在展覽期內定期將作品放置於已劃分好的方格之中; 不斷加入展品, 意味著展覽一直在變化著。最後, 我們看到這次展覽的結果是: 三個電視播放著藝術家的視頻對話，兩件模型及盛載兩個模型的包裝，一組四張由 Vito Acconci Studio 負責撰寫, 配上虛擬影像的文案，一百二十多幅照片( […]
Olivia Yip / The Revolving Cultural Imagery of a New China – a response to the Art HK 2010 新中國新意象？對2010 香港國際藝術展的一些想法
– YIP, Olivia Wai-ka The Art HK has often been a chance for a friends’ reunion of mine every year in late May. It was never a bad idea to gather old friends for an art fair like this and dine at a local hotpot-restaurant with beers afterwards. I did not mean to be critical at […]
Edwin Lo / 存在於空氣與時間中的現在進行式文庫 Archival Records by Cedric Maridet, a review
Edwin Lo reviewed Cedric Maridet's site-specific spatialized sound installatiopn at the Asia Art Archive, 2009.11 to 2010.05.
