Searching for tag: fp-curatorial
Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus
Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品，結合了表演、投影、裝置、雕塑和圖形組合。如此，他為「原格破裂」的夏季熱浪畫上句號。
Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限，向歐美日實驗動畫借鏡
Lee Hangjun offers a defence for experiments in the animated picture: collapse the story-documentary-experimental triad, as the 11 work (1935-2015) from Europe and Japan manifest. 首爾實驗電影及動畫節總監李幸俊 以11部歐美日作品（1935-2015）去說明擺脫「故事-紀錄-實驗」三分法的囹圄去打開動畫的可能性早有先例。
Photographic Survey: Korean experimentation of the animated picture 地域實驗 I －圖像勘測
EXiS Program Director Hangjun Lee surveyed the contemporary scene of experimental cinema in Korea in relation to animation and its expanded forms. 「首爾實驗電影錄像節」節目總監李幸俊素描當代韓國實驗活動影像的風景，尤其與動畫和動畫的延伸的千絲萬縷。
“Elemental Dynamite” kicks off this week with rare treasures
[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題，尋求香港的本土角度，由夏季的兩場放映會和一個現場表演開始，先著眼於世界、歷史為我們留下的珍貴足跡。
《原格破裂》為何動畫？ | 夏季 | 據點 “Elemental Dynamite” kicks off this summer
【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題，尋求香港的本土角度，由夏季的兩場放映會和一個現場表演開始，先著眼於世界、歷史為我們留下的珍貴足跡。
Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室
10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了，但陪她走過的加州陽光，還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後，便開始從事獨立電影製作。期後，他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間，他與中國獨立紀錄片研究會的合作，讓他得到更多製作獨立紀錄片的機會。近期，他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》，並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]
Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
7 artists get out of the moving image frame and turn their thoughts on home into a spatial dialogue on site, as part of “Have a Balanced Diet 3: Home Making, a project by FP member Ding Cheuk-laam.
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)
In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部，連同14為創作和研究者繼續堅持實驗（性）作為一種整體的生活態度，並以房子這個熟悉而具體的日常空間為前題，看如何因著創作的行動，人的主體與媒體技術的互相啟發，「家」、房子就成了發聲運動的起點。
Diligent Exercises: right here, left now, out there
Once again, what is “micro narratives”? Micro narratives is about stepping down from ,,, Some pieces you’ll never see because they stand for the struggle to push boundaries…
Linda Lai / Code Name “Micro Narratives”: initiations into our Manifestos 行動代號「微敘事」。宣言的啟動。
An epilogue written on 22 June 2018 by Linda Lai for Videography. Micro Narratives. Temporal Beings. Our Manifesto / 2018]***黎肖嫻為《我們的錄像宣言》（2018）寫於2018年6月22日的「結語」。
