To make a monument that does not monumentalize… Linda Lai explains her conception of “Mnemonic Archiving” in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May – 3 July 2016.
[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung’s strategy of rendering public records to “becoming private,” “expressing some things and feelings too nuanced to be expressed in words.”
[FP EXHIBITION REVIEW] Josef Bares makes sense of an assemblage of cables and switches in Wong Chun-hoi’s solo show — electricity personified…
「據點。句點」 成立了快半年，玩了三次聚疊遊戲，以現成物作為材料去「堆砌」一個「展覽」。我想在這裡中途總結一下至今的一些浮面的潛在規則。 0。身處展場，或用你的方法去存在於此 1。只能用你在時限內得到的材料，可以是撿拾的，可以是自己帶來的，總之不要浪費金錢 2。接受同場發生的任何事，並善用它，改變它，也必需接受展出期間的任何後期聚疊（即別人後加的改變或再創作）
– Wendy TAI Current opens on July 31 at FPC. Opening reception begins 6:00pm Exhibition period: 31.07-15.08.2010 #1 The gallery floor is covered in charcoal portraits. The portraits are drawn from a bird’s eye view, as if looking down at a mass of mingling people from above. It could be you. We are socially conditioned […]
Jolene Mok What to learn? What not to learn? We have to learn how to learn. What if we don’t want to learn but, still, we have to learn? Do we learn if we don’t want to learn?
In 喫飯啦 ﹣餐桌前的家, Cheung Yu-tsz searches through his childhood memories. Besides roaming around with her buddy friends, she finds dinner with her family leaving the strongest impressions. ...