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Category: Seriously Speaking 大聲發表

心裡無雲,都總可以推理治情,開拓感知。水中有明鏡,明鏡在心中。又或者,有些事情你總是咬著不放。You deserve to be heard. Features, expository and argumentative pieces, in-depth commentary and research-based writing… … Our mind takes forms — thought paths, a statue, a floating object, a system of tales, …

《娛樂至死》讀後,身為教師的自省 A school teaching reading Amusing Ourselves to Death

《娛樂至死》讀後,身為教師的自省 A school teaching reading Amusing Ourselves to Death

因讀書會的推介而細讀波茲曼的《娛樂至死》20週年台灣中譯本的據點作者蔡季妙,深刻檢視了作為自然科學的小學教師的本位,策問:有趣的教學和嚴肅深度的學習真的不可共存?Taiwan-based FP writer and science teacher to children Vanessa Tsai read Neil Postman’s Amusing Ourselves to Death and asked if she must choose between entertainment and serious teaching in order to be effective, or if that is a false binary.

12 artists / Green Yellow Blue Red… Make4Green: what we have made… 綠黃藍紅都是綠。
MAKE FOR GREEN, 4 briefs for participatory design-fiction for climate action 四個造「綠」的參與性點子
Vernacular Geomedia Poetics from the Southwest Cliff 西南山壑的方言地理媒介詩學

Vernacular Geomedia Poetics from the Southwest Cliff 西南山壑的方言地理媒介詩學

張子木策劃放映:三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.

One kind of Report: FP: what ‘participatory art’ can be 一點個人回顧:「據點」告訴我「參與式藝術」可以是怎樣的?

One kind of Report: FP: what ‘participatory art’ can be 一點個人回顧:「據點」告訴我「參與式藝術」可以是怎樣的?

With the outlook to understand Floating Projects itself as a collective, and to understand other collectives in order to be part of a bigger critical community with art in the core, Linda Lai wrote a personal “interim report” on FP 1.0, 2.0, and projectively FP 3.0. 黎肖嫻寫在據點 3.0 的萌生時刻。已知的,未可知卻可見的,「據點。句點」群體如何朝向更落實的參與式藝術創作?

History knocks on my door and Karl Marx walks through (quarantine diaries 04) 穿過斗室之門:辯證歷史洪流灌滿禁閉的房子 (隔離手記 04)

History knocks on my door and Karl Marx walks through (quarantine diaries 04) 穿過斗室之門:辯證歷史洪流灌滿禁閉的房子 (隔離手記 04)

A box confines and segregates, but it also eliminates noise and allows beams of light to focus for multiplicity. Linda Lai’s quarantine diaries #4. 隔離不一定是隔絕。黎肖嫻的隔離箱子裡瀰漫著歷史的傷痕,或是眾說紛紜,箱子聚的光可化成多焦點的行動設定。「隔離手記」四。

機器學習 Collecting, compiling and variations, 2 new FP creative monographs

機器學習 Collecting, compiling and variations, 2 new FP creative monographs

FP new member Ray LC’s two creative monographs are now available at FP’s sales corner, adding to FP’s growing list of publication which includes anthologies, small-print catalogues, online video zines and zine series. 「據點。句點」新成員羅銳的兩個小量印刷的單行本。一本是作者自行與開源的機器學習協作的詩本創作,探究私密的情感在語文句法的衍生變奏上會變成甚麼。另一本則是對環保認知普及化的回應;收集,遊說,敘事化,一個核心,多方的場景、面貌。

The Cave and the Boxes: variations of confinement (quarantine diaries 01)
Elliott Wan / HK’s Indie Music Scene (9): the Economy of Independent Production and Distribution 香港獨立音樂場景系列之九:獨立製作和發行的經濟

Elliott Wan / HK’s Indie Music Scene (9): the Economy of Independent Production and Distribution 香港獨立音樂場景系列之九:獨立製作和發行的經濟

An Ancient Greek proverb says, “Society grows great when old men plant trees in whose shade they know they shall never sit.” If immediate profits are all that we care about, the same mainstream-Vs-independent split will repeat itself. 若要擺脫活在西歐和亞洲區的陰影下,就得重注孕育年青新一代本地獨立音樂創作人,現在就得改善土壤,為了不太近的未來。

Ventriloquists 2021 / 09-Jacky Choi’s Generative Literature (the writing) 腹語系之九:蔡俊希《把迷戀說成夢》(下)

Ventriloquists 2021 / 09-Jacky Choi’s Generative Literature (the writing) 腹語系之九:蔡俊希《把迷戀說成夢》(下)

蔡俊希《把迷戀說成夢》。十個夢。十種心情。十種慾望。十種閱讀。Choi Chun Hei Jacky‘s ten successive rounds of automatic writing and subsequent modifications results in a readable work, in all of which the writer was strolling on the street alone at night, contemplating the mysteries of life — the complete series of the 10-dream series in Chinese…

Floating Projects Collective 2024