個人沈溺可以是有趣的，只要分享，找你的「專家」同路人。咖啡，只是個起頭、代號…。又或你有呷一杯茶的瞬間可以吞吐的一個臨時想法。Everything about coffee... … Coffee plants. Coffee beans. Coffee plantation. Roasted beans. Fair trade. Genesis of coffee drinking. Coffee pots. Coffee cups. Coffee makers. Hand-crafted coffee. Coffee-drinking culture. Coffee and health. Coffee as medicine. Coffee as leisure. Discourse ownership of coffee culture. History of cafes. Politics of world produces. First generation coffee culture. Second generation coffee culture. Third generation coffee culture. Fourth generation coffee culture. Connoisseur perspective. Political history of coffee culture. Coffee academy. Barista. Cafes. Coffee furniture. Coffee-table books. … We are joking!!! Replace “coffee” with any noun — personal obsessions of yours. A tentative thought that may fuel up the slow sip of a cuppa.
FP new member Ray LC’s two creative monographs are now available at FP’s sales corner, adding to FP’s growing list of publication which includes anthologies, small-print catalogues, online video zines and zine series. 「據點。句點」新成員羅銳的兩個小量印刷的單行本。一本是作者自行與開源的機器學習協作的詩本創作，探究私密的情感在語文句法的衍生變奏上會變成甚麼。另一本則是對環保認知普及化的回應；收集，遊說，敘事化，一個核心，多方的場景、面貌。
For the sake of not forgetting, Linda Lai details her quarantine experience, from a 7-day quarantine order multiplied by 3 just because Spain was suddenly placed on a hi-risk list. The first of her 21-day quarantine diaries… 中文版另刊
From her pool of automatic drawings turned wooden fragments of her dreamwork, young artist Cherie Wong shows us a certain inquisitive state of mind. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，是尋問的現在進行式。
From her pool of automatic drawings turned wooden fragments of her dreamwork, young artist Cherie Wong goes round and round in circles. An endless journey. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，太空無邊際，峰迴路轉卻有軌跡。
「我跟彈珠人有一種緣份，跨越了二十多年時間，這種特殊的喜愛也是一樣的。無論在小學，還是到現在，相比其他漫畫，這個故事情節也比較真實…。」（2017，黃福權）成年人眼中的沈溺，在一個小孩來說，或許是有他們的原因的，也可以是一生的能源的暗出口。今天的他再回顧小六時候的記憶。Wong Fuk-kuen sees a clear linkage between the young kid and the adult of himself through the marble shooting toy B-Daman. Here, he speaks of the 20-something-year attachment.
2020年7月，據點成員駱敏聰從黎肖嫻的手裏取來《三毛流浪記》全集的第七集，寫個自由發揮的「閱讀報告」。三毛的遭遇，在三個「問三毛」的「隨機訪談」中漠然化開了，難成合體的論述；讀故事的人卻在前台亮點。這是個有關當下香港人的非典型讀漫畫的案例。FP member Kel Lok took #7 of the story of Three Hair’s wandering to attempt a book review, which turns out to be an ensemble of personae reading the copy on a poor kid’s encounters in the war-torn years of 1930s-1940s through the lens of a contemporary person. The sensationalist… The skeptic… The indifferent one… The one making detours…
《巢》是「安全感」的符號，內部的情感流向自成一體，同時是個「開發可重複利用的媒體裝置」；對訪者來說，強調無敘事的觀賞。據點海外作者蔡季妙於2020年12月底到訪了。巢內部住進皮膚裡的感官思維是怎樣的呢？Nest is the exquisite architectural work of the Ploceidae in nature; “Nest,” now on in Taipei, is an enclosed installation space of internal circulations deploying recyclable media. FP writer Vanessa Tsai just paid a visit.
From her pool of automatic drawings turned into wooden fragments of her dreamwork, young artist Cherie Wong was watching the stars inside her own universe. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，在她創造的世界裡觀星。
What was life like for an ordinary kid growing up in crammed flats in public housing? Tough, but ordinary, when the notion of “poverty” was not turned into an ideology that undermines you. 1960s, 1970s. Hong Kong. FP writer Wai-leung Lai recalls… 只有最基本的資源也是日子的一種。活著總有生趣，就看你。那是當「缺乏豪華生活」未被化成統計，未被化作意識形態之前…。普通人的普通故事。
From her pool of automatic drawings turned into wooden fragments of her dreamwork, young artist Cherie Wong pulls out another two to form two new dialogues as image-text poems. An obsession with movement, or is it immobility? 王晴雯從她的木製「夢」碎片寶庫裡再掏出兩片，成了兩首圖文對話的詩，像彼此勾連，又似莫不相關。爬、行，卻是移動的衝動，徘徊的辯證。