Searching for tag: fp2-0
Diligent Exercises: right here, left now, out there
Once again, what is “micro narratives”? Micro narratives is about stepping down from ,,, Some pieces you’ll never see because they stand for the struggle to push boundaries…
Money Supply: 4 episodes 貨幣供應：四種座標
“Money Supply” 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕，黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問，由研究出發，招引到場的來訪者恰巧都興致勃勃，把眼前的作品打開，引發各種與創作有關的閒談。
WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子
王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來，經過分享展出，三個月的經驗沈澱，輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察，無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期，實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.
Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法：褶疊待延的皇后大道中
…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze> Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]
Jessica Fu / 哥多華當代美術中心創作紀錄：定睛眼前，凝視過去，觀望宇宙 Documenting C3A Cordoba: site-specific views of the invisible and the potential
完成「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃的Jessica Fu回顧一個月的體驗，再次覺悟她我的特定環境裝置作品往往是個引導體，領觀眾超越可見作品的本身朝向為可見的未來，應對數據爆發的時代的無助感。Jessica Fu completed her month-long residency in Cordoba’s C3A, FP’s first edition of artist’s residency at Centro de Arte Contemporáneo, Cordoba, Spain. She understands her site-specific installations are often visible vehicles that lead their beholder to the unknown visible of the future and, personally, her response to a sense of helplessness living in a milieu of exploding data yet kept esoteric by authorities.
Andio Lai / Voices from “Nothing Can Come Closer” (3) 無法取得位置：弦音（三）
Individual works from “Nothing Can Come Closer”: Andio Lai 《無法取得位置》作品逐個講：黎仲民
YIP Kai-chun, Winnie Yan / Voices from “Nothing Can Come Closer” (2) 無法取得位置：弦音（二）
Individual works from “Nothing Can Come Closer”: Yip Kai-chun, Yan Wai-yin Winnie 《無法取得位置》作品逐個講：葉啟俊、忻慧妍
Voices from “Nothing Can Come Closer” (1) 無法取得位置：弦音（一）
Individual works from “Nothing Can Come Closer”: Lam Kin-choi, Wong Fuk-kuen《無法取得位置》作品逐個講：林建才、黃福權
FPC members / Let me see if I can put it in words: between FP 1.0 and FP 2.0 總有一點想法：「據點。句點」1.0 與 2.0 之間
Here we have recorded thoughts that could only be preserved and shared in words, from FPC members, including those just arriving and departing, between FP 1.0 and FP 2.0. 「據點。句點」1.0 與 2.0 之間，新成員、舊成員、離開了的成員，都用上了時間去勾畫這片據點。
LAI Wai-leung / 從2.0回望 An insider taking on an outsider’s retrospective glance at FP 1.0 from FP 2.0
FP insider Wai-leung Lai (FP writer) takes an outsider’s view on the 3-year FP 1.0 at Wong Chuk Hang. 據點作者黎偉亮用局中人的局外視點輕輕的回看在黃竹坑的「據點 」第一個三年。
