談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
Kel Lok, FP member, artist of “Toy as Medium” and workshop host for “Monster Assemblage,” shares with us the more-than-monsters created on 3 December 2016 with visitor-participants.
“Be the rolling stones,” an alter graduation art show, ignited discussions on experimental actions and moving images as the makers’ unique connection with the lifeworld. Winnie Yan interviewed some of the participating artists…
FP member Wai traces the making of his 15 pieces at “Toy as Medium,” revealing the mind of a devoted miniature maker whose obsession has a rational dimension. He finally came back to his “craft” after 35 years of no model-making.
FP member Kel Lok tells the tales of “those swords,” “those soldiers,” “that house” and “that model,” which embody moments of his life, his temperaments and his persistence that are best presented as toys in TOY AS MEDIUM, opening 20 November 2016 at Floating Projects.
FP member Wong Fuk-kuen’s long-lasting fascination with B-Daman finds way to his art practices today. What’s going to be “B-Daman art”?
FP member Kelvin Lam’s “castle on rainy days” and Jess Lau’s “pirates’ boat,” “extreme environments” and “ET arriving” mark many HK children’s fantasy play with space or the lack of it. To reproduce these childhood experiences in FP WIP opening 20 Nov 2016, what are they going to show us?
FP member Wing tells us her personal gendered history with toys. Meet Gundamzeta in FP’s upcoming show “toy as medium.”
A casual chat in a summer afternoon among 3 FP members ignited childhood passion and intellectual curiosity, leading to a toy show in November. “Wai and Kel’s model making involves intense concentration and techniques that parallel … art making,” Andio Lai discovers.
Evelyn Char explores South Korea’s biggest state-own Asia Culture Center, which archives art historical documents from various countries in Asia. She discovers that this new national monumental sits right on the former site of the 10-day long Gwuangju (Kwangju) Uprising in 1980 (aka May 18 Democratic Uprising, UNESCO), or Gwangju Democratization Movement.
Photographer Vicky Do reviews “What Do You Want For Tomorrow” (2016.08.10-2016.09.26, HK Heritage Museum) curated by Wong Wo-bik and Stella Tang. She finds this 12-woman art event more than a photography show or one that tokenizes women.