Category: Art Notes 藝文談暢
談藝術，談創作，回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
Dorothy Wong / 站在「錄像宣言一」與「錄像宣言二」的邊界上：族群參與改變了創作座標 Crossing the Border: videography re-oriented since community engagement
2018-2019年，黃加頌以 art collective o!sland成員的身份參與台灣森人藝駐計劃，到台灣太魯閤族的社區生活，後被鳳甲美術館邀請到台北北投社進行關於平埔族的計劃。黃加頌為「錄像宣言一」（2018）的策劃成員之一。她道出創作歷程上的改變：「2016－2017 錄像和影像為技巧訓練、自我察覺、從遙遠處觀看世界的練習。2017－2019 錄像為與他人、社區和世界連結的觀看點、載體和回應。」Dorothy Wong’s artist’s residency with Taiwan’s mountain communities changed her relation with videography.
Manifesto 2 team / Documentary impulses: what to remember, how to remember (1) 紀錄的衝動：如何記住，記憶的實作（一）
Manifesto 2 artists have started to meet on-line to examine the what, why and how of their videographic practices as ways to remember. This is the first of a series to report on the artists’ conversations. We kick off with team-members’ words from Linda Lai, Winsome Wong and Elaine Wong on how they envision the project. 「錄像宣言2」的創作者的在線對話已經啟動，將在此園地陸續發表。首先，團隊成員的其中三位 – 黎肖嫻、黃慧心、黃淑賢 — 先來道出這次計劃點滴心思與憧憬。
Simone Dompeyre / No Paths but My Footprints. Image-writing from a Distance.
Traverse Video’s Festival Director Simone Dompeyre reviewed Linda Lai’s video works presented in March 2019 at the Festival. Three videos are in discussion: No Paths but My Footprints, Diaries – ‘Dry rain’ and Doors Medley. Caroline Ha Thuc translated this piece published in French in the festival catalogue into English.
WONG Chun-hoi / 勤力電路 #1.0 – #1.4 Hardworking electricity #1.0-#1.4
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
LAI Wai-leung / 無中生有 沒有故事的故事 相原信洋的世界 The world of Nobuhiro Aihara: whence comes the story
黎偉亮 寫《原格破裂 – 動畫的互媒實驗綜覽》研究計劃夏季放映會《第三眼－相原信洋作品選》。FP writer Wai-leung Lai appreciates Nobuhiro Aihara’s unconventional take on histories, memories and realities.
Linda Lai / Levitated Potentiality 2: software writing, soliloquy & magic 《移形换步》之2 – 機器書寫、喃喃自語、變戲法
“Levitated Potentiality 2019,” presented by FP at the FLAME Festival HK, gathers video works that connect with the experimental tradition, highlighting the narrative intricacy of the very process of an image discourse unfolding in time. 8 artists shows 14 video works.
Verina Gfader / Neighbourhoods & Aliens 鄰舍。陌路人。
The world is waiting to be animated.
Phantom Horizons 幻地平線
Visual abstraction opens up more worlds: Reality appears to shimmer through the layers of its decomposition…
Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus
Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品，結合了表演、投影、裝置、雕塑和圖形組合。如此，他為「原格破裂」的夏季熱浪畫上句號。
Free Radicals: a critique of strict classification: animation experiments from Europe/US/Japan as examples 游離基 – 擺脫標籤侷限，向歐美日實驗動畫借鏡
Lee Hangjun offers a defence for experiments in the animated picture: collapse the story-documentary-experimental triad, as the 11 work (1935-2015) from Europe and Japan manifest. 首爾實驗電影及動畫節總監李幸俊 以11部歐美日作品（1935-2015）去說明擺脫「故事-紀錄-實驗」三分法的囹圄去打開動畫的可能性早有先例。
