談藝術，談創作，回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
《奔跑和擁抱的方式》 是劉詩敏和黃雅珊的聯展，主要展出劉與黃的繪畫及錄像作品藝術可以成為世界中的一物，並作為奔跑及擁抱世界的方式。劉詩敏和黃雅珊的聯展《奔跑和擁抱的方式》，展出二人的繪畫及錄像作品。In Sze-man Lau and Ailsa Wong's Ways of Running and Embracing, their paintings and moving images shows art as part of their being in the world, a way to run and embrace...
如何把新紀元論述中的「脈輪」觀念化成藝術的感知，開拓新經驗呢？這是嘗試，也可以實驗。伍昇耀於據點2023年二月份的作品就是這種嘗試的體驗，膨脹電影，由頌缽開始。這是創作者的自述。 Stanley Ng revisited the artist's narrative he wrote for his show at Floating Projects (2023.02) and rewrote it in Chinese.
去年九月，劉清華抵達台灣伴著她的是手提的五公斤的箱子。裡面的翻拍臺是十四天閉關創作的夥伴。Last September, Jess Lau arrived in Taipei with her 5kg tool-box, her only companion in a 14-day quarantine retreat. Together, they completed a new stop-motion animation piece.
What could expanded cinema be in the digital age when the impulses to understand multi-level consciousness could be articulated as the meeting of hardware and audio-visual data to be completed by visitors? Stanley Ng's experiment Circuit materializes all this, and further turns the installation site into that of meditation, the meeting one's selves.
The second of FP's 2-day intervention-insertion-installation-production performance at Asia Art Archive's new reading room concludes with a show window filled with “live” traces of FP players, friends and on-site visitors. … Another attempt to capture the rich diversities of the happenings, the author's attempt to preserve her own personal glimpses at least.
The typing sound of a manual type-writer strikes a record of an on-going Assemblage performance, while providing an audible rudiment of an improvizational event. Michael Leung intervenes.
Between 2000 and 2020, a 6'38" single-take video footage has been turned into a generative series of art moments crossing artistic genres -- from videography, vocalization, sound collage, performance, sound sculpture, back to videography -- all manifesting automatism as a principle, and improvization as a main artistic method. Only the maker Linda Lai herself could elaborate on this secret history of emergence.
Assemblage at Floating Projects (FP Assemblage) started with two personal stories. Initiation of the Assemblage events are documented here in writing, on 14 July 2015, on the eve of FP1.0’s Grand Opening… (this version: updated May 2022 for D-Normal/V-Essay issue 5)
Part 4 of “tool-being” series, Longman Luk looks inside a 360 panoramic camera for the everyday consumer, to hack its customized functions, and to test its operational limits, which results in his videographic exercise presented at Micro Narratives 2022. A manifesto on his videography follows.
In the third of a 4-part series of artists' writings in "Floating Teatime: Art Notes," “tool-being" (Graham Harman, Bruno Latour), Tate Kwan calls our attention to a common defect many have experienced on ZOOM meetings, which she turns into raw material for artistic creativity.