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Category: Art Notes 藝文談暢

談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …

First exposure to 16mm shooting 初嘗16米釐

First exposure to 16mm shooting 初嘗16米釐

On 22 July 2017, seven FPC members and friends participated in Richard Tuohy and Dianna Barrie’s 16mm workshop with two Bolex cameras. Using “reverse printing” method, we were able to “develop” two rolls of films made in the Shamshuipo neighborhood the same day and view the outcome at the end of the day with great excitement. […]

Linda Lai / Orientations: Boundaries Surveyed. A video art show I curated for EXiS 2017
FPC members, Wong Chun-hoi / 計劃聚集記錄 Record of ensemble-plan

FPC members, Wong Chun-hoi / 計劃聚集記錄 Record of ensemble-plan

《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺,不加思索地處理著現成物料,推斷著現成/被棄物的物理性,可衍生的下一步,聚疊遊戲後又衍生即興演出《據點空間壓力測試》系列。是次據點聚疊這空間「變形蟲」外遊來到了台北的非常廟藝文空間。王鎮海作了詳盡的記述。Wong Chun-hoi, FP’s Artistic Engineer, keeps a dense record of the process of staging FP’s Assemblage game in a gallery in Taipei.

Don Tsang / 寫給會去看我鮮浪潮的人 To those who went and may come to see my video “Morning” at Fresh Wave 2017

Don Tsang / 寫給會去看我鮮浪潮的人 To those who went and may come to see my video “Morning” at Fresh Wave 2017

To those who have watched his apparently uneventful video Morning screened at the recent Fresh Wave 2017, Don Tsang unravels the “thick and dense” thoughts underlying the work. 曾旭熙說《無念》:平淡的家常”細藝”背後的密集思考…

Linda Lai / Levitated Potentiality: moving images at Art Central 2017 移形换步: 流動的影像
FPC members / 《吹脹.影像》繼續吹 “Expænsive Cinema”, keep blowing, keep expanding

FPC members / 《吹脹.影像》繼續吹 “Expænsive Cinema”, keep blowing, keep expanding

9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的?他們多方對策:投影的器具、所投的影像何來、成像的過程、展示影像的「面」…

Samson Cheung /「曝光」之下 — 演後感 Notes on performing “Under Exposure”

Samson Cheung /「曝光」之下 — 演後感 Notes on performing “Under Exposure”

「相片沉了藥水後從一將白紙慢慢顯影。」這就是「曝光」。張才生就個人展覽 《從觀看說起》 及閉幕演出《「曝光」之下》給自己作了一點記錄。Artist Samson Cheung reflects on his “exposure” (exhibition and performance) in his solo show at FP last December (2016).

The 20 videographic works by 16 artists in “Back and Forth”
Winnie Yan / hot cakes / hard kicks

Winnie Yan / hot cakes / hard kicks

“…I am still not very used to carrying a camera. Scenes captured in the footage do not have little similarity with what I actually saw on the spot.” Winnie Yan, curator for “Back & Forth,” recalls her videography one year ago.

Kel Lok / 剩物變變變…點止怪物咁簡單!From the scraps: more than monsters!

Kel Lok / 剩物變變變…點止怪物咁簡單!From the scraps: more than monsters!

Kel Lok, FP member, artist of “Toy as Medium” and workshop host for “Monster Assemblage,” shares with us the more-than-monsters created on 3 December 2016 with visitor-participants.

Floating Projects Collective 2024