談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了,但陪她走過的加州陽光,還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後,便開始從事獨立電影製作。期後,他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間,他與中國獨立紀錄片研究會的合作,讓他得到更多製作獨立紀錄片的機會。近期,他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》,並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]
7 artists get out of the moving image frame and turn their thoughts on home into a spatial dialogue on site, as part of “Have a Balanced Diet 3: Home Making, a project by FP member Ding Cheuk-laam.
In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。
Once again, what is “micro narratives”? Micro narratives is about stepping down from ,,, Some pieces you’ll never see because they stand for the struggle to push boundaries…
「我們需要少些完美的電影,但需要多些自由的電影。」Jonas Mekas 這話道出了《微敘事 2019: 在這,仍在,現在》的的根底。” We need less perfect but more free films.” Jonas Mekas’s words articulate the ethos and pathos of “Micro Narrative 2019: Right Here, Left Now, Out There”…
“Money Supply” 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕,黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問,由研究出發,招引到場的來訪者恰巧都興致勃勃,把眼前的作品打開,引發各種與創作有關的閒談。
王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來,經過分享展出,三個月的經驗沈澱,輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察,無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期,實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.
Curator, scholar and contributor to HK01, ZENG Hong, interviewed Linda C.H. Lai on her attempt to bring art and the sciences together in her research-based curatorial project “Algorithmic Art: Shuffling Space & Time”…學者及《香港01》特約作者曾泓訪問《演算藝術:劃破時空》策展人黎肖嫻,談這個研究為本的計劃背後對藝術與科學對話的願景和實踐。
…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze> Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]
完成「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃的Jessica Fu回顧一個月的體驗,再次覺悟她我的特定環境裝置作品往往是個引導體,領觀眾超越可見作品的本身朝向為可見的未來,應對數據爆發的時代的無助感。Jessica Fu completed her month-long residency in Cordoba’s C3A, FP’s first edition of artist’s residency at Centro de Arte Contemporáneo, Cordoba, Spain. She understands her site-specific installations are often visible vehicles that lead their beholder to the unknown visible of the future and, personally, her response to a sense of helplessness living in a milieu of exploding data yet kept esoteric by authorities.