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Category: Art Notes 藝文談暢

談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。

Diligent Exercises: right here, left now, out there
Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?

Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?

「我們需要少些完美的電影,但需要多些自由的電影。」Jonas Mekas 這話道出了《微敘事 2019: 在這,仍在,現在》的的根底。” We need less perfect but more free films.” Jonas Mekas’s words articulate the ethos and pathos of “Micro Narrative 2019: Right Here, Left Now, Out There”…

Money Supply: 4 episodes 貨幣供應:四種座標

Money Supply: 4 episodes 貨幣供應:四種座標

“Money Supply” 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕,黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問,由研究出發,招引到場的來訪者恰巧都興致勃勃,把眼前的作品打開,引發各種與創作有關的閒談。

WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子

WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子

王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來,經過分享展出,三個月的經驗沈澱,輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察,無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期,實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.

ZENG Hong / 打開演算藝術的黑盒:《演算藝術》策展人黎肖嫻談科技為本的藝術樂園 Opening the black box: what’s in Algorithmic Art: Shuffling Space & Time

ZENG Hong / 打開演算藝術的黑盒:《演算藝術》策展人黎肖嫻談科技為本的藝術樂園 Opening the black box: what’s in Algorithmic Art: Shuffling Space & Time

Curator, scholar and contributor to HK01, ZENG Hong, interviewed Linda C.H. Lai on her attempt to bring art and the sciences together in her research-based curatorial project “Algorithmic Art: Shuffling Space & Time”…學者及《香港01》特約作者曾泓訪問《演算藝術:劃破時空》策展人黎肖嫻,談這個研究為本的計劃背後對藝術與科學對話的願景和實踐。

Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法:褶疊待延的皇后大道中

Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法:褶疊待延的皇后大道中

…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze>   Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]

Jessica Fu / 哥多華當代美術中心創作紀錄:定睛眼前,凝視過去,觀望宇宙 Documenting C3A Cordoba: site-specific views of the invisible and the potential

Jessica Fu / 哥多華當代美術中心創作紀錄:定睛眼前,凝視過去,觀望宇宙 Documenting C3A Cordoba: site-specific views of the invisible and the potential

完成「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃的Jessica Fu回顧一個月的體驗,再次覺悟她我的特定環境裝置作品往往是個引導體,領觀眾超越可見作品的本身朝向為可見的未來,應對數據爆發的時代的無助感。Jessica Fu completed her month-long residency in Cordoba’s C3A, FP’s first edition of artist’s residency at Centro de Arte Contemporáneo, Cordoba, Spain. She understands her site-specific installations are often visible vehicles that lead their beholder to the unknown visible of the future and, personally, her response to a sense of helplessness living in a milieu of exploding data yet kept esoteric by authorities.

Zach McLane / How might a beginning be an opening?

Zach McLane / How might a beginning be an opening?

Zach McLane “returns” to FP with a new video work and expanded notes after his last and first visit to Hong Kong in September 2018. In renewed confidence of his own language, in words or images, Zach turned a strip of trashed 35mm film found in a backyard creek into the preserved evidence of an unknown yet concrete history. A documentary impulse of his pushed physical marks, scratches and patterning into the materialization of an absence now surfacing as perceivable forms and motions.

Andio Lai / Voices from “Nothing Can Come Closer” (3) 無法取得位置:弦音(三)
Floating Projects Collective 2024