Category: Art Notes 藝文談暢
談藝術，談創作，回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
Barren Rock Artchive 無用石 / 【Notes 筆記】Withstanding the collapse of our world《殘酷與美好》面對崩壞的世界
Barren Rock Artchive’s review on the dual-show “Ferocity & Wonderment” (Jan 2-Feb05) at Floating Projects, originally shared on 13 January 2022, is now re-posted at Floating Teatime’ ArtNotes with the author’s permission. 原文發表於無用石的面書和 Instagram (2022.01.13)。感謝分享於「據點一杯茶」文字平台。
MA Wik + WONG Sin / Desolate Prairie And Warm Prairie 咀嚼咀嚼⋯⋯荒涼草原與溫暖草原
2022.01.02-02.05. The duo Ma Wik (Joyce) and Wong Sin (Zero) opened their “Ferocity & Wonderment” with a happening impregnated with recitation and sounds. The two artists share the text of their live reading below… 馬域和汪倩的雙個《殘酷與美好》以即興行為作序幕。聲音和朗誦一地灌滿。朗讀的文本在此分享。
12 artists / Green Yellow Blue Red… Make4Green: what we have made… 綠黃藍紅都是綠。
Make For Green brings together 12 strangers to enact a community of fledging survivors of a coastal community at the edge of time, prompted by 4 sets of brief for action, initiated by Ray LC and other researchers…
MAKE FOR GREEN, 4 briefs for participatory design-fiction for climate action 四個造「綠」的參與性點子
MAKE FOR GREEN, conceived by FP member Ray LC with other researchers, resulted in a pop-up exhibition of participatory art works using design fiction approach to actions for climate change. Although the show is finished, Ray shares the process, rationale, and deliverables of this short exercise.
FPC / Micro Narratives 2021 “Layered Vision” 「微敘事」系列2021 《層層看》
“Micro Narratives 2021: Layered Vision” at Floating Projects | 11 December 2021, 6-8pm | Linda Lai’s pedagogy: materialist cinema, agential realism…
Vernacular Geomedia Poetics from the Southwest Cliff 西南山壑的方言地理媒介詩學
張子木策劃放映：三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.
Research through Making Exhibition: PRISMATIC: design practices on bodily and wearable interactions
“PRISMATIC” is about design practices on bodily and wearable interactions. The show features a series of works and works in progress created in an MFA course Research Through Fabrication at CityU’s School of Creative Media. Research. Collaboratively learning through physical making, the artists using Arduino programming, garment making, leather working, laser cutting, wood-shopping, etc., leading to the production of the current exhibition, mentored by RAY LC.
One kind of Report: FP: what ‘participatory art’ can be 一點個人回顧：「據點」告訴我「參與式藝術」可以是怎樣的？
With the outlook to understand Floating Projects itself as a collective, and to understand other collectives in order to be part of a bigger critical community with art in the core, Linda Lai wrote a personal “interim report” on FP 1.0, 2.0, and projectively FP 3.0. 黎肖嫻寫在據點 3.0 的萌生時刻。已知的，未可知卻可見的，「據點。句點」群體如何朝向更落實的參與式藝術創作？
Sketch 2: Floating, Surfing, Working on… 再稿: 浮遊，流動，工作進行中
“Sketch 2” picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore — on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members’ pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》– 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義，也是「據點。句點」成員的再一次聚疊，透過展示他／她們的「稿」件，用另一種方法展示他／她們的藝術關注和創作上的路徑。21天。天天換景，重組再疊。行動就是探索。
Loose ends: the dinosaur returns (quarantine diaries 06) 綿碎的日常：跨越對恐龍的想像 (隔離手記 06)
The final of Floating Teatime editor Linda Lai’s quarantine diary series. What are days going to be like ahead of her? 黎肖嫻「隔離手記」告一段落。往後的日子會是怎樣的？
