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Category: Art Notes 藝文談暢

談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …

Linda Lai / Code Name “Micro Narratives”: initiations into our Manifestos 行動代號「微敘事」。宣言的啟動。
FPC members / Let me see if I can put it in words: between FP 1.0 and FP 2.0 總有一點想法:「據點。句點」1.0 與 2.0 之間
MAN Mei-to / 思緒撩亂的季節:沿著這路來到「彼岸之地」Whither my thoughts flow, to “Distance of Space” …

MAN Mei-to / 思緒撩亂的季節:沿著這路來到「彼岸之地」Whither my thoughts flow, to “Distance of Space” …

/文美桃 manmeito | artist Man Mei-to traces the many strands of everyday living conjoining in her recent show at FP (Apr-May 2018), “Distance of Space.”
展覽 《彼岸之地》(2018.04.14-05.06),記錄著文美桃由讀書時期到畢業後三年這段時期的創作方向。展覽中沒有張狂的議題,沒有政治的走向,更沒有話語權的指向。一切都沒有指向的答案呈現給了觀眾。

Linda Lai / From Melodrama to Near Drama 從粵語通俗劇到微情緒的潮漲潮落

Linda Lai / From Melodrama to Near Drama 從粵語通俗劇到微情緒的潮漲潮落

黎肖嫻談粵語電影通俗劇的操作,以至吳子昆於「文字機器創作集」第6輯「象裡有象:通電作影」之《全情定位漂浮系統》(2018年9月1日開幕)的媒體分解遊戲 | notes by Linda Lai on melodrama’s nature and Kwan’s treatment in [G]Local Empathy System (opening 1 September 2018, curated by Lai), the first of a 3-exhibition series, “Cinema Expanding: Visualizing the Unseen,” the Writing Machine Collective 6th edition.

Winnie Yan / Document as medium, archive as structural framework 檔案作為一個媒介 | 檔案庫作為一個架構: 李繼忠韓國藝術駐場研究之旅

Winnie Yan / Document as medium, archive as structural framework 檔案作為一個媒介 | 檔案庫作為一個架構: 李繼忠韓國藝術駐場研究之旅

A visit to Gwangju Biennale alerted FPC member Lee Kai-chung to the possibilities of doing an artist’s residency in Seoul to study archiving practices for art, which he did and shared upon his return to HK in “Can’t Live Without.” 「這次駐場計劃是基於第一次在光州雙年展後到訪過MMCA作資料搜集的經驗出發的。那時其實並不知道有駐場計劃可以申請,只是純屬對一個藝術館的好奇…」

Everlyn Char, Yang Yeung, Eddie Cheung / Distance of Space, Materialized bodily presence: visitors’ notes 訪者絮語:文美桃彼岸之地
Winnie Yan / 黑色的音符,黑色的顏料,透明的邊界:《港樂太古樂賞-波蘭動畫70年》札記
Winnie Yan / 白色的時間-往 臺中國際動畫影展 札記

Winnie Yan / 白色的時間-往 臺中國際動畫影展 札記

FP writer/editor Winnie Yan reflects on her visit to the Taichung International Animation Festival (13-17 Oct 2017) and finds “concepts and theories” less learned in class. Traversing through works across generations and continents, she asks, “What is it that makes us willing to condense our life into a short string of images?” 忻慧妍問:是什麼令我們願意把自己的生命濃縮成一小段影像呢?

LAI Wai-leung / 3 Models 三個模型,三個時空。
First exposure to 16mm shooting 初嘗16米釐

First exposure to 16mm shooting 初嘗16米釐

On 22 July 2017, seven FPC members and friends participated in Richard Tuohy and Dianna Barrie’s 16mm workshop with two Bolex cameras. Using “reverse printing” method, we were able to “develop” two rolls of films made in the Shamshuipo neighborhood the same day and view the outcome at the end of the day with great excitement. […]

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