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Category: Art Notes 藝文談暢

談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …

FP Assemblage 2023 (2) Self-organization, Individuation, Synchronization... an Automatic Sequence 同步、個別化、自我組織。不假思索的序列。「據點聚疊」於亞洲藝術文庫。

FP Assemblage 2023 (2) Self-organization, Individuation, Synchronization... an Automatic Sequence 同步、個別化、自我組織。不假思索的序列。「據點聚疊」於亞洲藝術文庫。

The second of FP's 2-day intervention-insertion-installation-production performance at Asia Art Archive's new reading room concludes with a show window filled with “live” traces of FP players, friends and on-site visitors. … Another attempt to capture the rich diversities of the happenings, the author's attempt to preserve her own personal glimpses at least.

FP Assemblage 2023 (1) Michael's typewriter: black ribbon red ribbon「聚疊」既遠即近:梁志剛的紅絲黑絲連線

FP Assemblage 2023 (1) Michael's typewriter: black ribbon red ribbon「聚疊」既遠即近:梁志剛的紅絲黑絲連線

The typing sound of a manual type-writer strikes a record of an on-going Assemblage performance, while providing an audible rudiment of an improvizational event. Michael Leung intervenes.

One Take, many iterations (2000-2020), the morphing life of a moment 一鏡到底:迭代延綿(2000-2020)

One Take, many iterations (2000-2020), the morphing life of a moment 一鏡到底:迭代延綿(2000-2020)

Between 2000 and 2020, a 6'38" single-take video footage has been turned into a generative series of art moments crossing artistic genres -- from videography, vocalization, sound collage, performance, sound sculpture, back to videography -- all manifesting automatism as a principle, and improvization as a main artistic method. Only the maker Linda Lai herself could elaborate on this secret history of emergence.

WCH Assemblage #1: Automatism. One step forward. No Waste | 黃竹坑聚疊(一):不假思索。多走一步。總有點甚麼。
Longman Luk / Tool-Being (4):  Capturing and Presenting Panoramic Images with a consumer-level 360 camera 「工具在,我在」(四):周視全景的感官世界:篩選與縫合
Tate Kwan / Tool-Being (3): Play with ZOOM "errors" -- Video Materiality, Digital Intimacy 「工具在,我在」(三):遠程關係潛入 ZOOM 的回饋噪聲

Tate Kwan / Tool-Being (3): Play with ZOOM "errors" -- Video Materiality, Digital Intimacy 「工具在,我在」(三):遠程關係潛入 ZOOM 的回饋噪聲

In the third of a 4-part series of artists' writings in "Floating Teatime: Art Notes," “tool-being" (Graham Harman, Bruno Latour), Tate Kwan calls our attention to a common defect many have experienced on ZOOM meetings, which she turns into raw material for artistic creativity.

Abby Yuen / Tool-Being (2): Texture? Abstraction? It all began with my semi-analogue synthesiser  「工具在,我在」(二):抽象、質感,由造聲開始

Abby Yuen / Tool-Being (2): Texture? Abstraction? It all began with my semi-analogue synthesiser 「工具在,我在」(二):抽象、質感,由造聲開始

Second of the “tool-being'” series. What new insights would we have of our experiences if humans and tools/machines are understood as an assemblage, coming into the presence of each other to seek collaborative possibilities? Abby Yuen reveals how her abstract video of foams was the result of a sound machine she made.

Jaron Kuehmstedt / Tool-Being (1): OCTV – Open Circuit Television, interpolating CCTV 「工具在,我在」(一):「開」路電視打開了甚麼?
24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work |29個微敘事:「我」,存活的體態步步延伸

On 21 December 2022, 24 videographers from the Micro Narrative Laboratory presented 29 short pieces of videography enacting their presence... Varied voices. Contrasting disposition. A broad range of artistic and media resources… The works will stay on-site at Floating Projects on FOUR parallel screens 24-31 December.

Linda Lai / Emotions, Magic, Tool-being, Assemblage: Performative Videography, Micro Narratives 2022 寫情緒。玩戲法。工具在,我在。聚疊。2022微敘事選輯。抒演性錄像書寫
Floating Projects Collective 2024