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Category: Art Notes 藝文談暢

談藝術,談創作,回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …

CHEUK Wing-nam /「觸不感」觸及我創作的靈感技術資源以至藝術界別的區分
YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition

YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition

[FP EXHIBITION REVIEW] Yeung Yang identifies three sets of dilemma – techno-culture, dumb objects, and the challenge of a solo show – and ponders on the place of affect in Wong Chun-hoi’s “Hardworking Burning Electricity.”

Linda Lai / A constellation with dotted connectivity: why I made a dispersive monument
Josef Bares / Lee Kai Chung, “So Many Quiet Walks to Take” – from archiving history to becoming private
Josef Bares / Wong Chun-hoi’s “Hardworking Burning Electricity”
Linda Lai / 12 Manifestos on Videography from 12 Young Video Artists on 18 Concrete Videos 《12個宣言。錄像書寫為何。關連的18個塑形錄像作品。》

Linda Lai / 12 Manifestos on Videography from 12 Young Video Artists on 18 Concrete Videos 《12個宣言。錄像書寫為何。關連的18個塑形錄像作品。》

These manifestos are to accompany the 18 works in the Concrete Videos program to be screened at Floating Projects, 4:00-6:00pm, 9 January 2016, produced and curated by Linda Lai. +The project described here was partially supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China (Project No. 9042111 […]

WONG Chun-hoi /《十年》,二十日後感  Ten Years
Winnie Yan / 親愛的朋友呀你在想什麼

Winnie Yan / 親愛的朋友呀你在想什麼

「其實我不明白甚麼是好的藝術,那些大師的作品嘛,很多地方都看不懂。」她說。大概是因為同學對她的作品都持有頗兩極的意見,她一下子招架不住了,需要一個「結論」。 每當看到意念非常前衛又或是視覺上不甚麼討好的作品,我總會開玩笑般跟朋友說:「但願我一生也看不懂藝術。」。其實無論怎樣努力,我都一定不會懂藝術的。可 是,即使我能擁有超能力,可以一夜間明白藝術也好,我也寧願它是本永遠也翻不完的書。看完一本耐人尋味的書,心裏總會有一點難纏的空洞。

聚疊遊戲-在工場走後門看天空 The ‘assemblage’ game: a piece of ceiling on the floor

聚疊遊戲-在工場走後門看天空 The ‘assemblage’ game: a piece of ceiling on the floor

「據點。句點」 成立了快半年,玩了三次聚疊遊戲,以現成物作為材料去「堆砌」一個「展覽」。我想在這裡中途總結一下至今的一些浮面的潛在規則。 0。身處展場,或用你的方法去存在於此 1。只能用你在時限內得到的材料,可以是撿拾的,可以是自己帶來的,總之不要浪費金錢 2。接受同場發生的任何事,並善用它,改變它,也必需接受展出期間的任何後期聚疊(即別人後加的改變或再創作)

Linda Lai / Critical Spectacles & Wandering Visions: videographic experiments as micro-narratives 凝神、界外:實驗錄像書寫作為微敘述

Linda Lai / Critical Spectacles & Wandering Visions: videographic experiments as micro-narratives 凝神、界外:實驗錄像書寫作為微敘述

“Critical Spectacles & Wandering Visions: videographic experiments as micro-narratives / Linda Lai 凝神、界外:實驗錄像書寫作為微敘述 / 黎肖嫻 [This essay adapts from, and expands on, a curatorial statement I wrote for a 1-hour program on experimental videography for the EXiM 2015 (Experimental Film & Video Festival in Macau), themed “香港實驗影像活動 Hong Kong Experimental Video Festival in Macao.” It is […]

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