Category: Art Notes 藝文談暢
談藝術，談創作，回顧周圍看向前望。Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
Mizuho Yamazaki, Virginia Liu / OWNNESS, an apexart 2021 winning proposal examining “her body”…
Five female artists will juxtapose their works to tackle gender inequality, showing how women across East Asia are fighting hand in hand to reassert their bodily control in their terms.
A poem on the event “Ferocity and Wonderment” 一首關於《殘酷與美好》的詩
Ferocity & Wonderment, on 2022.01.02-02.05, is coming to its final week of open door. Ma Wik (Joyce), one of the duo, shares a poem she wrote in the process of reconfiguring Floating Projects’ rectangular playground and “growing” the objects in it. … 馬域和汪倩的雙個《殘酷與美好》已來到最後一周。馬域一週接一週的耕耘著據點現場長方形的遊戲空間，設置改動又設置其中的小物，有感而發，寫了一首散文詩。
Barren Rock Artchive 無用石 / 【Notes 筆記】Withstanding the collapse of our world《殘酷與美好》面對崩壞的世界
Barren Rock Artchive’s review on the dual-show “Ferocity & Wonderment” (Jan 2-Feb05) at Floating Projects, originally shared on 13 January 2022, is now re-posted at Floating Teatime’ ArtNotes with the author’s permission. 原文發表於無用石的面書和 Instagram (2022.01.13)。感謝分享於「據點一杯茶」文字平台。
MA Wik + WONG Sin / Desolate Prairie And Warm Prairie 咀嚼咀嚼⋯⋯荒涼草原與溫暖草原
2022.01.02-02.05. The duo Ma Wik (Joyce) and Wong Sin (Zero) opened their “Ferocity & Wonderment” with a happening impregnated with recitation and sounds. The two artists share the text of their live reading below… 馬域和汪倩的雙個《殘酷與美好》以即興行為作序幕。聲音和朗誦一地灌滿。朗讀的文本在此分享。
12 artists / Green Yellow Blue Red… Make4Green: what we have made… 綠黃藍紅都是綠。
Make For Green brings together 12 strangers to enact a community of fledging survivors of a coastal community at the edge of time, prompted by 4 sets of brief for action, initiated by Ray LC and other researchers…
MAKE FOR GREEN, 4 briefs for participatory design-fiction for climate action 四個造「綠」的參與性點子
MAKE FOR GREEN, conceived by FP member Ray LC with other researchers, resulted in a pop-up exhibition of participatory art works using design fiction approach to actions for climate change. Although the show is finished, Ray shares the process, rationale, and deliverables of this short exercise.
FPC / Micro Narratives 2021 “Layered Vision” 「微敘事」系列2021 《層層看》
“Micro Narratives 2021: Layered Vision” at Floating Projects | 11 December 2021, 6-8pm | Linda Lai’s pedagogy: materialist cinema, agential realism…
Vernacular Geomedia Poetics from the Southwest Cliff 西南山壑的方言地理媒介詩學
張子木策劃放映：三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.
Research through Making Exhibition: PRISMATIC: design practices on bodily and wearable interactions
“PRISMATIC” is about design practices on bodily and wearable interactions. The show features a series of works and works in progress created in an MFA course Research Through Fabrication at CityU’s School of Creative Media. Research. Collaboratively learning through physical making, the artists using Arduino programming, garment making, leather working, laser cutting, wood-shopping, etc., leading to the production of the current exhibition, mentored by RAY LC.
One kind of Report: FP: what ‘participatory art’ can be 一點個人回顧：「據點」告訴我「參與式藝術」可以是怎樣的？
With the outlook to understand Floating Projects itself as a collective, and to understand other collectives in order to be part of a bigger critical community with art in the core, Linda Lai wrote a personal “interim report” on FP 1.0, 2.0, and projectively FP 3.0. 黎肖嫻寫在據點 3.0 的萌生時刻。已知的，未可知卻可見的，「據點。句點」群體如何朝向更落實的參與式藝術創作？
