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Hector Rodriguez / Notes on Foucault’s Heterotopia – 1  福柯的「異托邦」(筆記一)

Hector Rodriguez / Notes on Foucault’s Heterotopia – 1 福柯的「異托邦」(筆記一)

「異托邦」:我們都活於空間的時代。異托邦是論述的空間,網絡的空間,社會的空間,思維的空間,效率操控的空間…卻絕對不是單一、單向的空間。 In 3 parts, Rodriguez’s reading report traces the centrality of space cutting through Michel Foucault’s corpus through the concept of “heterotopia.”

Jess Lau / 京都駐留筆記《步行電影院:飛翔的氣球》”Cinema of Walking: Airship” — notes on artist’s residency in Kyoto

Jess Lau / 京都駐留筆記《步行電影院:飛翔的氣球》”Cinema of Walking: Airship” — notes on artist’s residency in Kyoto

In January 2020, FP artist Jess Lau took residency in Kyoto; in the three months she spent there, she finally found the time and space to realize a much awaited work on a river, and made The Cinema of Walking: Airship on the Kamo River, to her, a unique glimpse of freedom. 2020年1月 Jess 到京都駐留三個月,有機會到訪鴨川,突然可以做關於河川的作品,《步行電影院:飛翔的氣球》遠距離一口氣完成拍攝,劉清華看著路人一步一步踏過跳石,片刻看到自由的模樣。…

Michael Leung / ON LAND 05: A Mushroom, for a While… 「在地」五:冬菇頭。簡樸生活。

Michael Leung / ON LAND 05: A Mushroom, for a While… 「在地」五:冬菇頭。簡樸生活。

An ordinary day with a haircut in Lyon put Michael into a confessional mode of reflexive reconnection with his double citizenship … To what kind of privileged access does it entitle him? And what doors has opened to him? 梁志剛的雙重國籍或公民權對他的漂流歷程有何在地的挑戰?又打開了一些甚麼的門?

Linda Lai / 第三十一個五月卅五日。只想留個標記。The 31st year, 35 May 2020, thoughts and words gathering …
LAM Kin-choi / 林建才手繪「逆流索引」一:街上的人  PEOPLE ON THE STREET, “Quotidian Diversions: Kin-choi Lam in search of time lost” 01
Ryan Chung / A Retrospective Look at Video Lesson as a Temporary Substitute for Face-to-Face Lesson 「思維自說自話」3: 錄像教案取代了面對面的教與學

Ryan Chung / A Retrospective Look at Video Lesson as a Temporary Substitute for Face-to-Face Lesson 「思維自說自話」3: 錄像教案取代了面對面的教與學

In his diary as a curious young teacher, Ryan Chung recounts the many problems he has encountered teaching children on-line during the COVID-19 homestay period. The question shifts: from how to make an interesting video lesson to what fuels the desire to learn. 當上小學老師不久,鍾樹仁遇上了 COVID-19 給他的考驗 — 如何製作好玩而花枝招展的錄像教案應付網上教學?很快,他知道要問的是另一種問題。

Jess Lau /「逆流索引」:林建才手繪連載 Quotidian Diversions: Kin-choi Lam in Search of Time Lost

Jess Lau /「逆流索引」:林建才手繪連載 Quotidian Diversions: Kin-choi Lam in Search of Time Lost

Quotidian Diversions – Kin-choi Lam’s drawing series on HK to launch on Floating Teatime’s “Personally Speaking” 4 June 2020: 6 groups of drawings in 6 weeks on Thursdays 林建才手繪連載:「流水革命10月天」六月四日起每周四連載共六輯。

Emilie Choi / Realities from 2016: Today’s Relevance (2): what should an artists’ Union do? 2016年飄來的記憶。今天又如何?(二)- 藝術勞動,工會保障藝術家?

Emilie Choi / Realities from 2016: Today’s Relevance (2): what should an artists’ Union do? 2016年飄來的記憶。今天又如何?(二)- 藝術勞動,工會保障藝術家?

FP writer, Emilie Choi’s analysis continues on the question of art labor in Hong Kong. In part 2 of her report, she asks, “what should an artists’ union do?” 據點成員蔡倩怡進一步思考藝術勞動的光景四年來沒有甚麼變動,且客觀環境越來越嚴峻。她問:「工會該如何保障藝術家?」

Emilie Choi / Realities from 2016: Today’s Relevance (1): Art Labour, the Value of Being Human 2016年飄來的記憶。今天又如何?(一)- 藝術勞動,生而為人的價值

Emilie Choi / Realities from 2016: Today’s Relevance (1): Art Labour, the Value of Being Human 2016年飄來的記憶。今天又如何?(一)- 藝術勞動,生而為人的價值

FP writer, Emilie Choi, former journalist for Ming Pao Weekly’s cultural page, recalls an investigative feature she did four years ago on the question of art labor in Hong Kong, and is dismayed that not much has advanced other than the many growing aggravations in the city. With a new introduction, she puts back in the spotlight realities we may have forgotten. 《「錄像宣言」的延伸閱讀:藝術勞工的景況:做個夜更的藝術家?》在「據點一杯茶」網上發表後,據點成員蔡倩怡不禁記起四年前她還是記者時所做過的專題訪問,驀然發覺時間過去了,藝術勞動的光景沒有甚麼變動,且客觀環境越來越嚴峻。她很想舊事重提,面對現實。這裡是翻新後的發表。

Michael Leung / ON LAND 04: Intergalactic Thinking 「在地」四:系際思維

Michael Leung / ON LAND 04: Intergalactic Thinking 「在地」四:系際思維

Michael Leung shuttles between empirical planes, intellectual horizons and concrete dwellings of diverged spatio-temporal orderings… to assert research that is multi-species, and art that is energy that runs through all realms of living. 「萬物」在梁志剛的漂流路上漸成一張網,少數邊緣的、系統與系統之間的、跨族類的都可以平放或結連。思路無邊,在無政府主義狀態到專制主義運作之間,香港的形影浮現。學術研究如何實踐系際思維?

Floating Projects Collective 2023