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The Ventriloquists 03. On Švankmajer’s Jabberwocky (1971) by Harmanjeet Singh 「物件」變「東西」。現在進行式傳真。定格動畫。
The Ventriloquists 02. We open. We speak. Do you hear? first 5 works 門半開啟。有話想說。五個作品門外恭候。
The Ventriloquists 01. Description as Storytelling…ask the objects, by Jake Wong 死物不死:描述也是敘述(黃汛一)

The Ventriloquists 01. Description as Storytelling…ask the objects, by Jake Wong 死物不死:描述也是敘述(黃汛一)

“The Ventriloquists…Thinking Narratively” (4-17 July 2020), begins with the on-line version of Jake Wong’s response to generative literature. | Generative Art –> Creative writing –> A story “generated” by surroundings –> “the window, the door, the cobble and the knife” | To Jake, what he offers is a framework — an initial state of a writing game that is endless with infinite iterations as long as we keep writing. Welcome to join. 《腹語系。微敘思考》啟動的第一個作品是創作性的文字。作者黃汛一的思路如下:衍生性藝術 –> 創作性文字 –> 一個因環境而衍生的故事 –> 「窗。門。卵石。刀。」| 黃汛一說與其說這是完整的作品,不如把它看成一個寫作方法的種子示範,為誘更多的迭代,寫之不盡。

Linda Lai / The Ventriloquists 00. Free imaging 2020 | 腹語系:微敘思考。需要多些自由的影像。

Linda Lai / The Ventriloquists 00. Free imaging 2020 | 腹語系:微敘思考。需要多些自由的影像。

腹語系:微敘思考 “Thinking Narratively… the Ventriloquists” | video dreamworks, thought paths as montage sequences, sight-and-sound data visualization of well-known moving image works | 63 works by young artists from the School of Creative Media’s BA program. Why do we install so many voices into Floating Project’s limited space? | 夢式敘事。影像/圖像蒙太奇。聲影數據圖像分析名作 | 63 個創意媒體學院文學學士課程的年青創作者的聲影訴說。為何在此時此地在「據點」有限的空間群星匯聚?

LAM Kin-choi / 林建才手繪「逆流索引」五:一分一秒  PRISON, “Quotidian Diversions: Kin-choi Lam in search of time lost” 05
Michael Leung / ON LAND 09: “Kai Shan” – a fictional story 「在地」(短篇小說):髻山

Michael Leung / ON LAND 09: “Kai Shan” – a fictional story 「在地」(短篇小說):髻山

Kai Shan in Wan Chau Village. Love in the time of resistance. A fictional story by Michael Leung. 元朗橫洲村髻山。愛在動盪不安的季節。梁志剛短篇小說。***Content warning 成年內容。

SHIN Gyung Jin / Art and Power: Tracing the Figure of the Artist in Korean Art History (4) 藝術與權力 – 韓國藝術史中藝術家身份形象的遞變(四)

SHIN Gyung Jin / Art and Power: Tracing the Figure of the Artist in Korean Art History (4) 藝術與權力 – 韓國藝術史中藝術家身份形象的遞變(四)

Nam June Paik (Paik Nam-June) represents Korean contemporary art, but only becoming a solid case in the 1980s, 34 years after he lived away from his home country. Artists and their fame are often appropriated to be subsisted to political agendas. The story remains, unveiling the story of globalization, what is missing, and what voices are never recorded, in the mainstream discourse of Korean art history? 白南準離開本家韓國34年。他的蜚聲國際把他「送回」南韓,成為1980年代及往後國內全球化策略下的國際級大節慶紅人。白南準的藝術地位和貢獻不可置疑。問題是,著眼於他這樣級數的藝術家的同時,我們失卻了甚麼?誰的主體性被泯滅?那些有關藝術的實存被滅聲?這不單是寫藝術史的人的問題,是每一個人如何存活與政治機器中要關注的。

Linda Lai / remembering a free flâneuse, Joey Luk, a poem 讀了好些有關你的,懷緬的詩,給漫遊者。

Linda Lai / remembering a free flâneuse, Joey Luk, a poem 讀了好些有關你的,懷緬的詩,給漫遊者。

Permanent youthfulness — a thought of no comfort at all! No certainty about the words I have, but those moments spent with Joey, a lasting imprint. Combining Joey’s writings she had shared in class with faint, ineffectual words I could barely utter, I post this buried poem today as a ritualist container for infinite nothingness. 這首詩是由我的文字和陸姵妏生前在我的文字創作工作坊裏分享過的作業的片段混合而成的。在黃花綠影之間虛實無分,是一個人?兩個人?多少種心情?精神思想記憶都漫飛無涯,涓湧成氣。除此,我對她的思念無以啟齒。十七年過去了,比我先行的學生還有幾個。…我總是為過去了的人寫詩。懷緬詩注定就是跟死亡手牽手的。奈何。

SHIN Gyung Jin / Art and Power: Tracing the Figure of the Artist in Korean Art History (3) 藝術與權力 – 韓國藝術史中藝術家身份形象的遞變(三)

SHIN Gyung Jin / Art and Power: Tracing the Figure of the Artist in Korean Art History (3) 藝術與權力 – 韓國藝術史中藝術家身份形象的遞變(三)

In response to continuous authoritarian governments, anti-traditionalist Monochrome Painting versus pro-social participatory Public Art were born. The irony is that dictatorship incited economic growth which subsequently created a new class of art consumers: art galleries were born, inciting a growing demand for new species art and younger artists of promise. 韓國南北割裂之後,獨裁政府的持續在藝壇導致兩種不同的反應。抽象藝術的出現以反傳統、反具象、反日本影響為目標;而民眾藝術則伴隨民主運動,把創作帶到街頭,強調藝術的社會參與的面向。同時,獨裁統治催生經濟,新的財富階級打開了藝廊的潮流,藝術商品投資化令藝術品種類擴大,發現新進藝術家的需要亦由此而起。

Michael Leung / ON LAND 08: Dream 「在地」八:夢
Floating Projects Collective 2024