Vicky Do / Space | power | IDENTITIES: a Review of the image exhibition, “What Do You Want For Tomorrow”
Photographer Vicky Do reviews “What Do You Want For Tomorrow” (2016.08.10-2016.09.26, HK Heritage Museum) curated by Wong Wo-bik and Stella Tang. She finds this 12-woman art event more than a photography show or one that tokenizes women.
WONG Fuk-kuen /《現在進行》一思再思 Present Continuous: still thinking…
Critique, review, critique, self-discovery, artistic experimentation, critique, articulation, self-discovery… Wong Fuk-kuen finds himself in this recurrent routine Floating Projects highly values. Extreme modes of artistic exploration of things in our physical world often push us (him) in the direction of science… Danger, Wong finds, is the unique interface he generates in his exploration.
Evelyn Char / 走過泡菜大地（一）：韓國光州及首爾的藝旅勾描，光州雙年展以外 Art in Gwangju and Seoul beyond the biennales
A deliberate dual emphasis on domestic artists and international stars, the care for documentation and criticism as regular agenda items, and growing experiments on alternative independent art-space models from within the art community… Evelyn Char notes her observation in a recent art tour to Gwangju and Seoul.
Hugo Yeung / “But art is ambiguous.”
Hugo Yeung accounts for what his first solo show, What Death Tells Me, tells him about cinema. Shuttling between sound, image and story, the drifting open-ended journey amounts to a narrative mode and experience afforded only by digital data and computational cinema.
Winnie Yan / 距離的温度 The Temperature of Distance
Some works are to be sensed rather than comprehended… Winnie Yan finds a natural connection with Jess Lau and Kin-choi Lam’s duet — with their art pieces as much as the two individuals. …能找到兩位同伴會默默地感受一場雨…絕不容易。
Allison H. / Ocean Emotion #1: “Insomnia”
Ocean Emotion #1: “Insomnia” / a string of poem-photo creation by Allison H.
Winnie Yan / 聲音觀察誌 Observing sounds…
Winnie Yan recounts her stagger towards appreciating sound-making that encourages the immediacy of exchange versus music for trained ears… 忻慧妍的聲音觀察誌 － 如何一步一步挨近聲音藝術。
Winnie Yan / 記錄 六月 Writing June
Winnie Yan, Personally Speaking. 「記錄 六月」。忻慧妍喃喃自語用文字擺放21天的游離與躲藏…
CHEUK Wing-nam /「觸不感」觸及我創作的靈感技術資源以至藝術界別的區分
Wing Cheuk looks back on her first solo exhibition, “No Sense of Touch” (18 June to 6 July 2016), at the Floating Projects…
