Some works are to be sensed rather than comprehended… Winnie Yan finds a natural connection with Jess Lau and Kin-choi Lam’s duet — with their art pieces as much as the two individuals. …能找到兩位同伴會默默地感受一場雨…絕不容易。
Ocean Emotion #1: “Insomnia” / a string of poem-photo creation by Allison H.
Winnie Yan recounts her stagger towards appreciating sound-making that encourages the immediacy of exchange versus music for trained ears… 忻慧妍的聲音觀察誌 - 如何一步一步挨近聲音藝術。
Winnie Yan, Personally Speaking. 「記錄 六月」。忻慧妍喃喃自語用文字擺放21天的游離與躲藏…
Wing Cheuk looks back on her first solo exhibition, “No Sense of Touch” (18 June to 6 July 2016), at the Floating Projects…
[FP EXHIBITION REVIEW] Yeung Yang identifies three sets of dilemma – techno-culture, dumb objects, and the challenge of a solo show – and ponders on the place of affect in Wong Chun-hoi’s “Hardworking Burning Electricity.”
To make a monument that does not monumentalize… Linda Lai explains her conception of “Mnemonic Archiving” in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May – 3 July 2016.
FP writer W.L. Lai asserts life worth living as he recalls HK students once upon a time
[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung’s strategy of rendering public records to “becoming private,” “expressing some things and feelings too nuanced to be expressed in words.”
[FP EXHIBITION REVIEW] Josef Bares makes sense of an assemblage of cables and switches in Wong Chun-hoi’s solo show — electricity personified…