Vennes Cheng / THINK-PAD series 03: Image constellation and the survival (Nachleben) of image「書寫作為思考」筆記系列三：圖像群與影像的續存
Contemplating the “Nachleben” (afterlife, survival) of images in Aby Warburg’s Mnemosyne Atlas, Vennes Cheng traces the intellectual sources of the anachronistic and biomorphic forces behind his phantasmagoric retrieval, a unique way to create art history as constellations of found objects, impulses, emotions, phenomena and complex temporality.作為藝術史的實驗，阿比沃堡最後遺作《記憶地圖》所用的「圖像（星）群」方法，牽涉到圖像的生存與復生。鄭秀慧透過德文 Nachleben 的不同翻譯，進一步理解這可形容為「幻象檢索」的導向如何擱置了年表、分期等結構，轉向視覺上的相似性、記憶的衝動、要體現的情感等的並置，衍生出實驗性的藝術歷史。
Natalie Chao / Wilderness poems #3: “Indonesia, no video”
Wilderness Poems #3, image & text by Manifesto 2 artist Natalie Chao 錄像宣言2創作人趙芷妮《荒野詩》系列作品 3.
LIM Yeon Kyoung / Independent publishing in Korea 2: the phenomenon of agential intra-action & care for the disenfranchised 獨立出版運動：行使權的內部運行，關懷被剝奪權力者
Yeon Kyoung Lim cautions against romanticizing the independent publishing movement afforded by digitalized work flow and free social-media transmission. Keying in on the labor situation, she has experienced the collapse of work and leisure, which results in free, exploited labor in intensive micro processes of work premised on a group’s affective solidarity. Are “techniques of care” a feasible solution to the pauperization of activism? 身在「江湖」的林妍卿著我們別把數碼化工序和社交媒體平台推動的「獨立出版」浪漫化。進步的另一面的現實，是「情感化勞動」以及長時間免費的「微」工序的投入，慢慢導致維權運動的「貧化」。如果人際關係如此重要，怎樣的「關懷技術」才發揮活化的作用？
Michael Leung / ON LAND 06: Third Time Lucky? 「在地」六：再三的幸運？
The bat. Confinement. A female goat. Graffiti “The future is female!” Electronic tagging. On-line conferences. Animal testing or not. The Joker… All connected — to our future. Michael Leung’s intergalactic thinking connects. 蝙蝠。限聚與禁閉。母羊。牆上塗鴉喊著：「未來是女的！」電子標簽。網上會議。應否用動物進行藥物測試？小丑。… 在梁志剛的系際思維裡，都可結連成為一體，預見未來。
LAM Kin-choi / 林建才手繪「逆流索引」二：命 LIFE, “Quotidian Diversions: Kin-choi Lam in search of time lost” 02
命。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Life,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
LIM Yeon-kyoung / Independent Publishing in South Korea in the 2010s (1): The Cultural Movement Reinventing Feminist and Queer Intimacies 南韓的獨立出版運動（2010以來）：重整戰友的親密
What is independent publishing’s contribution to the Feminist/LGBTQ movement in South Korea? Lim Yeon-kyoung uses new materialist and post-consumerist frameworks to examine her own field experiences. 博士研究者Lim Yeon-kyoung 在後消費主義的藍圖裡重新理解「獨立出版」的政治性、創作上的實驗性，以至對南韓本土的女性主義、同志及酷兒運動的推進所作出的貢獻。獨立出版似乎注定被拒於嚴肅的學術出版的門外，林卻用新唯物主義和演述理論的高度去討論獨立出版的追求，並以個人「實戰」去說明。
LAI Wai-leung / 總在你身邊（八）: 那年初夏 Just Around You 8: Early Summer That Year
No major personal drama. But the recurring scenario of 30 years of witnessing the changing relation between a country and a city thickens as the annual ceremonial spectacle is about to transfigure… — Episode 8 of FP writer Wai’s “Just around You.” 紀念的景觀儀式或不永恆… 一個成長於香港的女孩，在維園外試圗尋找多年來的恆常足跡 — 那串一年復一年，從無間斷，自己踏出來的足跡。
Hector Rodriguez / Notes on Foucault’s Heterotopia – 1 福柯的「異托邦」（筆記一）
「異托邦」：我們都活於空間的時代。異托邦是論述的空間，網絡的空間，社會的空間，思維的空間，效率操控的空間…卻絕對不是單一、單向的空間。 In 3 parts, Rodriguez’s reading report traces the centrality of space cutting through Michel Foucault’s corpus through the concept of “heterotopia.”
Jess Lau / 京都駐留筆記《步行電影院：飛翔的氣球》”Cinema of Walking: Airship” — notes on artist’s residency in Kyoto
In January 2020, FP artist Jess Lau took residency in Kyoto; in the three months she spent there, she finally found the time and space to realize a much awaited work on a river, and made The Cinema of Walking: Airship on the Kamo River, to her, a unique glimpse of freedom. 2020年1月 Jess 到京都駐留三個月，有機會到訪鴨川，突然可以做關於河川的作品，《步行電影院：飛翔的氣球》遠距離一口氣完成拍攝，劉清華看著路人一步一步踏過跳石，片刻看到自由的模樣。…
Michael Leung / ON LAND 05: A Mushroom, for a While… 「在地」五：冬菇頭。簡樸生活。
An ordinary day with a haircut in Lyon put Michael into a confessional mode of reflexive reconnection with his double citizenship … To what kind of privileged access does it entitle him? And what doors has opened to him? 梁志剛的雙重國籍或公民權對他的漂流歷程有何在地的挑戰？又打開了一些甚麼的門？
