Elliott Wan / HK’s Indie Music Scene (5): Distribution Methods 香港獨立音樂場景系列之五：發行方法
As part of his undergraduate thesis, Elliot Wan examines the shifts in HK indie music’s modes of distribution. Online-streaming and virtualization has been a growing trend, even before COVID-19 arrived. 獨立音樂的生產與傳遞趨數碼化、善用虛擬平台已成大勢，卻並不單由新冠狀肺炎所起。
Ventriloquists 2021 / 03-Cut-up moving images: how I see the world 腹語系之三：「拼貼」，我這樣看世界
Collage and montage are well known genres in art, impregnated with subversion and revisionist intentions by playing with established cultural meanings; and the latter highlights not only clashes of images, but also juxtaposition, sequential ordering and more, calling our awareness to our existence as temporal and spatial beings. and art beyond making copies of our world. A few serious exercises of such intentions… 拼貼（單幅圖像）和蒙太奇方法有別，語法上、態度上、意識的探索上，都具創新的意向。拼貼顛覆文化符號的意義；蒙太奇說我們的存在是時間的存在、空間的存在以至創造。幾個有這種視野的小習作…
Elliott Wan / HK’s Indie Music Scene (4): Indie music and local identity 香港獨立音樂場景系列之四：本土身份
What specific shape has localism taken since 2009? What role has HK’s indie music arena played? In part 4 of his 10-part report, Elliott Wan makes the connection between between several activities and incidents. 本土精神強調本地生活、經驗的累積是身份認同的資源，自主生活的底。獨立音樂佔了個甚麼角色？
Elliott Wan / HK’s Indie Music Scene (3): Hidden Agenda, legacy of a venue 香港獨立音樂場景系列之三
In the 3rd of his 10-part essay, Elliott Wan accounts for 5th-generation Hidden Agenda’s encounters to profile the shape of localism this live-house project has illustrated. 從 Hidden Agenda 衍化為 This Town Needs，2008-2020 並不是香港獨立音樂的完結篇。新冠肺炎從天而降，或是另一種生機的萌發。
Elliott Wan / HK’s Indie Music Scene (2): Hidden Agenda: rise and constraints 香港獨立音樂場景系列之二
How has HK’s independent music arena grown and sustained itself? What specific shape has localism taken since 2009? In the second of his 10-episode essay, Elliott Wan accounts for Hidden Agenda’s five-time threat of closure, which ironically was the result of an attempt to “(re-)vitalize” under utilized industrial space. 正是「活化」的果效，充滿活力的 Hidden Agenda 經歷了5次的關門。
Ventriloquists 2021 / 02-Individual Perspectives 2 腹語系之二：個人故事個人觀點（下）
Sofya Antonova continues Flynn Hadre’s discovery of individual perspectives to introduce personal stories told with intense photographic intervention. 有些作品值得看，就因為它是作者的個人經歷和生活的過程。繼 Flynn Hadre 的介紹，Sofya Antonova 察看到攝影和活動影像語言的震撼力；聲影不單說故事，更開創了個人經驗。
Ventriloquists 2021 / 01-Individual Perspectives 腹語系之一：個人故事個人觀點（上）
With the subject “Individual Perspectives,” Flynn Hadre discovers his fellow classmates’ works in Ventriloquists 2021 that tell an artist’s personal stories. 有些作品值得看，就因為它是作者的個人經歷和生活的過程。Flynn Hadre 從36個同伴的作品中挑出了三個可細聽細看的故事。
Ventriloquists 2021 / 00a-Thinking Narratively: all 36 works 36個聲影陳述，36個世界。
36 works are in dialogue at The Ventriloquists 2021 to explore narrative concepts in articulating our thoughts and sentiments. The full list of works are presented below. 三十六個作品，共同探索陳述的觀念，各自發聲，理念情感成為交流談話的起點。
Ventriloquists 2021 / 00-Narrative as processes, systems and organized randomness opening 17 August with 36 works 《腹語系。微敘思考。2021》繼續開發陳述的藝術
Why is narrativity a relevant artistic concept in a data-driven milieu? An exhibition with 35 works speak — as videos, photomontage, installation, pictograms, creative writing and game plans, by BA students at the School of Creative Media. The Ventriloquists 2021.《腹語系。微敘思考。2021》繼續開發陳述的藝術：層層推理。逐步走，慢慢說，用豐盈的小節。
Elliott Wan / HK’s Indie Music Scene (1): Hidden Agenda’s history and formation (2009-2011) 香港獨立音樂場景系列之一
How has HK’s independent music arena grown and sustained itself? What are the major factors at work? What specific shape has localism taken since 2009? How did COVID-19 alongside many social circumstances invoke modal changes in music production and distribution? Elliott Wan, in 10 episodes, accounts for many such questions through literature research, field studies and interviews with stakeholders. 香港獨立音樂場景系列一：溫啟朗讓「據點一杯茶」分享其對香港獨立音樂的景況的觀察和考查，回顧前瞻，翻出一個專屬香港的獨立音樂故事，作為創意媒體本科畢業的總結。
