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“Elemental Dynamite” kicks off this week with rare treasures

“Elemental Dynamite” kicks off this week with rare treasures

[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。

《原格破裂》為何動畫? | 夏季 | 據點 “Elemental Dynamite” kicks off this summer

《原格破裂》為何動畫? | 夏季 | 據點 “Elemental Dynamite” kicks off this summer

【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。

Ryan Chung / let the mind speak 1: an Excerpt from My Mind 「思維自說自話」1 – 片段,斷片

Ryan Chung / let the mind speak 1: an Excerpt from My Mind 「思維自說自話」1 – 片段,斷片

The first of a new series, “let the mind speak,” by fresh graduate Ryan Chung for Floating Teatime… #1 unfolds an unspeakable state of mind… 一個今年暑假剛畢業的大學生用「寫」跟自己對談。是過程,不論成果。《思維自說自話》系列第一篇。

LAI Wai-leung / 最壞的時代 最好的時代 The worst of time, the best of time…

LAI Wai-leung / 最壞的時代 最好的時代 The worst of time, the best of time…

To FP writer Lai Wai-leung, what has played out in HK’s public space in June and July is no isolated drama. 歷史的緣由,這個地方的人口從來埋藏著一條思想鴻溝 …。

微敍事 的 家庭現象 :  牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon

微敍事 的 家庭現象 : 牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon

Ding Cheuk-laam’s notes from the 1st discussion forum of Have a Balanced Diet 3: Home-Making (11 July 2019) 丁卓蓝於7月11日「日常飲像影食3: 間房要唔要牆?」第一次放映和討論會後有所發現。

Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室

Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室

10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了,但陪她走過的加州陽光,還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後,便開始從事獨立電影製作。期後,他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間,他與中國獨立紀錄片研究會的合作,讓他得到更多製作獨立紀錄片的機會。近期,他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》,並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]

Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。

Diligent Exercises: right here, left now, out there
Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?

Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?

「我們需要少些完美的電影,但需要多些自由的電影。」Jonas Mekas 這話道出了《微敘事 2019: 在這,仍在,現在》的的根底。” We need less perfect but more free films.” Jonas Mekas’s words articulate the ethos and pathos of “Micro Narrative 2019: Right Here, Left Now, Out There”…

Floating Projects Collective 2023