The world is waiting to be animated.
Visual abstraction opens up more worlds: Reality appears to shimmer through the layers of its decomposition…
Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品,結合了表演、投影、裝置、雕塑和圖形組合。如此,他為「原格破裂」的夏季熱浪畫上句號。
Lee Hangjun offers a defence for experiments in the animated picture: collapse the story-documentary-experimental triad, as the 11 work (1935-2015) from Europe and Japan manifest. 首爾實驗電影及動畫節總監李幸俊 以11部歐美日作品(1935-2015)去說明擺脫「故事-紀錄-實驗」三分法的囹圄去打開動畫的可能性早有先例。
EXiS Program Director Hangjun Lee surveyed the contemporary scene of experimental cinema in Korea in relation to animation and its expanded forms. 「首爾實驗電影錄像節」節目總監李幸俊素描當代韓國實驗活動影像的風景,尤其與動畫和動畫的延伸的千絲萬縷。
[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。
【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題,尋求香港的本土角度,由夏季的兩場放映會和一個現場表演開始,先著眼於世界、歷史為我們留下的珍貴足跡。
The first of a new series, “let the mind speak,” by fresh graduate Ryan Chung for Floating Teatime… #1 unfolds an unspeakable state of mind… 一個今年暑假剛畢業的大學生用「寫」跟自己對談。是過程,不論成果。《思維自說自話》系列第一篇。
To FP writer Lai Wai-leung, what has played out in HK’s public space in June and July is no isolated drama. 歷史的緣由,這個地方的人口從來埋藏著一條思想鴻溝 …。
Ding Cheuk-laam’s notes from the 1st discussion forum of Have a Balanced Diet 3: Home-Making (11 July 2019) 丁卓蓝於7月11日「日常飲像影食3: 間房要唔要牆?」第一次放映和討論會後有所發現。