2014年3月18日,一群臺灣的大學生,為了制止海峽兩岸服務貿易協議不當立法通過而衝進了立法院,霸佔了立法院23天,引起社會各種討論。筆者於2016年生平第一次進行根管治療,之後嘴巴裡有了一顆不會感到疼痛卻足以協助咀嚼功能正常的牙齒。筆者不禁反思,傳統上的「孝順」、「不犯上」是以甚麼樣的形式進行著,因而記下這樣的感觸。
Manifesto 2 artists have started to meet on-line to examine the what, why and how of their videographic practices as ways to remember. This is the first of a series to report on the artists’ conversations. We kick off with team-members’ words from Linda Lai, Winsome Wong and Elaine Wong on how they envision the project. 「錄像宣言2」的創作者的在線對話已經啟動,將在此園地陸續發表。首先,團隊成員的其中三位 – 黎肖嫻、黃慧心、黃淑賢 — 先來道出這次計劃點滴心思與憧憬。
In the 5th piece of his “Just Around You” series, FP writer/manager Wai delivers a self-dialogue through two fictional characters… How to live with hope and what hope is in store?「總在你身邊」要說的是這個地方普通人的故事,其中人物的名字或故事情節容或杜撰,但角色的處境及遭遇皆為我所知所遇所見所聞,志在刻劃現實。系列的第五篇有如一個人的一個「我 」和自己的另一個「我」在聊天,在這個城市最艱辛的一年給自己加把勁。
Traverse Video’s Festival Director Simone Dompeyre reviewed Linda Lai’s video works presented in March 2019 at the Festival. Three videos are in discussion: No Paths but My Footprints, Diaries – ‘Dry rain’ and Doors Medley. Caroline Ha Thuc translated this piece published in French in the festival catalogue into English.
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
黎偉亮 寫《原格破裂 – 動畫的互媒實驗綜覽》研究計劃夏季放映會《第三眼-相原信洋作品選》。FP writer Wai-leung Lai appreciates Nobuhiro Aihara’s unconventional take on histories, memories and realities.
“Levitated Potentiality 2019,” presented by FP at the FLAME Festival HK, gathers video works that connect with the experimental tradition, highlighting the narrative intricacy of the very process of an image discourse unfolding in time. 8 artists shows 14 video works.
The world is waiting to be animated.
Visual abstraction opens up more worlds: Reality appears to shimmer through the layers of its decomposition…
Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品,結合了表演、投影、裝置、雕塑和圖形組合。如此,他為「原格破裂」的夏季熱浪畫上句號。