LAI Wai-leung / 最壞的時代 最好的時代 The worst of time, the best of time…
To FP writer Lai Wai-leung, what has played out in HK’s public space in June and July is no isolated drama. 歷史的緣由，這個地方的人口從來埋藏著一條思想鴻溝 …。
微敍事 的 家庭現象 : 牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon
Ding Cheuk-laam’s notes from the 1st discussion forum of Have a Balanced Diet 3: Home-Making (11 July 2019) 丁卓蓝於7月11日「日常飲像影食3: 間房要唔要牆?」第一次放映和討論會後有所發現。
Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室
10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了，但陪她走過的加州陽光，還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後，便開始從事獨立電影製作。期後，他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間，他與中國獨立紀錄片研究會的合作，讓他得到更多製作獨立紀錄片的機會。近期，他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》，並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]
Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
7 artists get out of the moving image frame and turn their thoughts on home into a spatial dialogue on site, as part of “Have a Balanced Diet 3: Home Making, a project by FP member Ding Cheuk-laam.
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)
In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部，連同14為創作和研究者繼續堅持實驗（性）作為一種整體的生活態度，並以房子這個熟悉而具體的日常空間為前題，看如何因著創作的行動，人的主體與媒體技術的互相啟發，「家」、房子就成了發聲運動的起點。
Diligent Exercises: right here, left now, out there
Once again, what is “micro narratives”? Micro narratives is about stepping down from ,,, Some pieces you’ll never see because they stand for the struggle to push boundaries…
Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?
「我們需要少些完美的電影，但需要多些自由的電影。」Jonas Mekas 這話道出了《微敘事 2019: 在這，仍在，現在》的的根底。” We need less perfect but more free films.” Jonas Mekas’s words articulate the ethos and pathos of “Micro Narrative 2019: Right Here, Left Now, Out There”…
Money Supply: 4 episodes 貨幣供應：四種座標
“Money Supply” 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕，黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問，由研究出發，招引到場的來訪者恰巧都興致勃勃，把眼前的作品打開，引發各種與創作有關的閒談。
WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子
王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來，經過分享展出，三個月的經驗沈澱，輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察，無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期，實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.
ZENG Hong / 打開演算藝術的黑盒：《演算藝術》策展人黎肖嫻談科技為本的藝術樂園 Opening the black box: what’s in Algorithmic Art: Shuffling Space & Time
Curator, scholar and contributor to HK01, ZENG Hong, interviewed Linda C.H. Lai on her attempt to bring art and the sciences together in her research-based curatorial project “Algorithmic Art: Shuffling Space & Time”…學者及《香港01》特約作者曾泓訪問《演算藝術：劃破時空》策展人黎肖嫻，談這個研究為本的計劃背後對藝術與科學對話的願景和實踐。
