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Linda Lai / The material form of remembering: thought paths and mute speech: In Defense of Manifestos (2) 「記好」的物質性,思路啞音微敘事:繼續宣言(2)

Linda Lai / The material form of remembering: thought paths and mute speech: In Defense of Manifestos (2) 「記好」的物質性,思路啞音微敘事:繼續宣言(2)

The “Prolog” of “Our Manifestos II” (2021.05) explicitly examines videography as a way of living, an attitude of life, and the quest for in-depth transformation in the midst of complex, crisis living. In the 2nd of the 5-part series, Linda Lai discusses videography as soundings, ways to voice out as crafted thought paths, the materiality of remembering as micro narratives.《我們的錄像宣言2》於「據點一杯茶」5次連載的第2篇:黎肖嫻開宗明義把錄像書寫看為一種創作人的活的型態和取向,以至於對深度轉化的渴求。如是,對錄像書寫的認知遠超狹義的藝術操守和理所當然的影像美學。這次,她提出了錄像書寫作為「發聲」的藝術的面向。「記住」,必須透過「思路」的展現,而這就是錄像的「微」敘事性格。

Linda Lai / Preserving the Energy of Videography: In Defense of Manifestos (1) 就為了滋養創造知識的能量,繼續宣言(1)

Linda Lai / Preserving the Energy of Videography: In Defense of Manifestos (1) 就為了滋養創造知識的能量,繼續宣言(1)

The “Prolog” of “Our Manifestos II: Videography, Documentary Impulses” (2021.05) explicitly examines videography as a way of living, an attitude of life, and the quest for in-depth transformation in the midst of complex, crisis living. In 5 parts, project initiator Linda Lai relates the process of the book-creation project and the different takes of the many artists involved. Part 1 describes the meandering journey. 「據點一杯茶」將以5次短篇連載《我們的錄像宣言2:記述的衝動》的序言。黎肖嫻開宗明義把錄像書寫看為一種創作人的活的型態和取向,以至於對深度轉化的渴求,以對應如何活在繁複、糾結、充滿噪音的當下。如是,錄像書寫的認知和反省遠超狹義的藝術操守和理所當然的影像美學。首篇記述召集各方創作人合力分享所穿過的崎嶇過程。

Natalie Chao, Linda Lai / Postscript 2 to Manifestos 2’s 2nd book launch conversation 錄像宣言2新書發佈網路研討後記:更多對話

Natalie Chao, Linda Lai / Postscript 2 to Manifestos 2’s 2nd book launch conversation 錄像宣言2新書發佈網路研討後記:更多對話

“Motives for. Remembering,” the 2nd book launch conversation for Our Manifestos 2: Videography, Documentary Impulses took place on-line 28 May. The conversations continue as Natalie Chao wrote to Linda Lai after her postscript with Zach McLane, this time, delving into how our body remembers and why manifesto-writing will not be obsolete. … 「錄像宣言2」新書發佈會2 — 網絡研討會『為何要記住』5月28日在據點舉行。繼 Zach McLane 傳來研討後記,另一位年青影像創作人趙芷妮又透過電郵與黎肖嫻進行跟進討論,想起身體如何記住,為何還要寫宣言。

Zach McLane + Linda Lai / Postscript to Manifesto 2’s book launch conversation 2 (28 May) 錄像宣言2新書發佈網路研討後記:一點對話

Zach McLane + Linda Lai / Postscript to Manifesto 2’s book launch conversation 2 (28 May) 錄像宣言2新書發佈網路研討後記:一點對話

The 2nd of the three book launch events for “Our Manifestos 2: Videography, Documentary Impulse” took place on-line last night with our artists participating from the Los Angeles, London, HK and Shanghai in the form of a webinar. Zach McLane and Linda Lai had a follow-up email conversation in which Zach points out issues for further address — now published as a postscript to the webinar… 「錄像宣言2」新書發佈會2 (網絡研討會)昨晚在據點舉行,受邀參與這計劃的藝術家來自美英中港。會後 LA 的年青創作人 Zach McLane 與黎肖嫻進行了小小的電郵跟進討論,點出了未來有待深化的議題。

Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 03《記述的衝動》新書發佈見面系列 03

Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 03《記述的衝動》新書發佈見面系列 03

Book Launch. Celebration. Meet the Artists. Third book launch event (in Cantonese), 6 June 2021, introduces 4 of the 49 teams/artists in OUR MANIFESTOS 2, to give us a foretaste of the works and personal manifestos in the 365-page book, released on 2 June 2021. ALL are welcome. The new book will be available for sale.

John Batten / Andio Lai: having an audience makes an artwork complete 黎仲民堅信觀眾可以令藝術作品變得完整。

John Batten / Andio Lai: having an audience makes an artwork complete 黎仲民堅信觀眾可以令藝術作品變得完整。

黎仲民的藝術方式通常都悠閒愉快,且以觀眾為主;他堅信觀眾可以令藝術作品變得完整。Lai’s approach to art is generally care-free and audience centred. Andio Lai’s art brings a playful happiness to viewers and exhibition participants; he believes having an audience makes an artwork complete. John Batten spoke with Andio Lai.

Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 02: motives for remembering《記述的衝動》新書發佈見面系列 02
Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 01 《記述的衝動》新書發佈見面系列 01
Videography as Tentacular Practices: “Linda Chiu-han Lai, Retrospective,” C3A, Spain 錄像書寫作為多觸創作(黎肖嫻錄像回顧選輯)

Videography as Tentacular Practices: “Linda Chiu-han Lai, Retrospective,” C3A, Spain 錄像書寫作為多觸創作(黎肖嫻錄像回顧選輯)

Linda Lai wrote “Videography as Tentacular Practices” to introduce the “Linda Chiu-han Lai, Retrospective,” 2021,02.05-06.13 at Centro de Creacion Contemporanea de Andalucia (C3A), Cordoba, Spain. 黎肖嫻為 2021,02.05-06.13 在西班牙科爾多瓦的安達盧西亞當代美術館的《黎肖嫻回顧展》寫「錄像書寫作為多觸創作」陳述她的創作方法和理念。

Emilie Choi / 「錄像宣言2」:如此時代,我們如何記錄?Manifesto-2: In such a time… how do we document?

Emilie Choi / 「錄像宣言2」:如此時代,我們如何記錄?Manifesto-2: In such a time… how do we document?

***Our Manifesto 2: Videography, Documentary Impulse will be out end of April. Please stay tuned. Manifesto 2 team member Emilie Choi connects the project to the current HK context.《我們的錄像宣言2:記述的衝動》將於2021年4月底面世,請密切留意。計劃工作隊成員蔡倩怡率先作引,從當下的香港看錄像書寫的特殊意義。

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