fp-icon
Ryan Chung / let the mind speak 1: an Excerpt from My Mind 「思維自說自話」1 – 片段,斷片

Ryan Chung / let the mind speak 1: an Excerpt from My Mind 「思維自說自話」1 – 片段,斷片

The first of a new series, “let the mind speak,” by fresh graduate Ryan Chung for Floating Teatime… #1 unfolds an unspeakable state of mind… 一個今年暑假剛畢業的大學生用「寫」跟自己對談。是過程,不論成果。《思維自說自話》系列第一篇。

LAI Wai-leung / 最壞的時代 最好的時代 The worst of time, the best of time…

LAI Wai-leung / 最壞的時代 最好的時代 The worst of time, the best of time…

To FP writer Lai Wai-leung, what has played out in HK’s public space in June and July is no isolated drama. 歷史的緣由,這個地方的人口從來埋藏著一條思想鴻溝 …。

微敍事 的 家庭現象 :  牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon

微敍事 的 家庭現象 : 牆上紋路 , 有誰在家? Marks on the wall: micro-narratives of a family phenomenon

Ding Cheuk-laam’s notes from the 1st discussion forum of Have a Balanced Diet 3: Home-Making (11 July 2019) 丁卓蓝於7月11日「日常飲像影食3: 間房要唔要牆?」第一次放映和討論會後有所發現。

Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室

Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室

10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了,但陪她走過的加州陽光,還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後,便開始從事獨立電影製作。期後,他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間,他與中國獨立紀錄片研究會的合作,讓他得到更多製作獨立紀錄片的機會。近期,他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》,並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]

Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。

Diligent Exercises: right here, left now, out there
Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?

Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?

「我們需要少些完美的電影,但需要多些自由的電影。」Jonas Mekas 這話道出了《微敘事 2019: 在這,仍在,現在》的的根底。” We need less perfect but more free films.” Jonas Mekas’s words articulate the ethos and pathos of “Micro Narrative 2019: Right Here, Left Now, Out There”…

Money Supply: 4 episodes 貨幣供應:四種座標

Money Supply: 4 episodes 貨幣供應:四種座標

“Money Supply” 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕,黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問,由研究出發,招引到場的來訪者恰巧都興致勃勃,把眼前的作品打開,引發各種與創作有關的閒談。

WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子

WONG Chun-hoi / Concrete wandering in and out of C3A Cordoba: bitter oranges on the roadside 哥多華當代美術中心漫遊紀錄:僅能拾起一個個隨街掉落的橙子

王鎮海從「據點。句點」第一屆西班牙哥多華C3A駐場藝術家計劃回來,經過分享展出,三個月的經驗沈澱,輕淡的幾個星期的外遊回眷成為另類的藝術家駐場觀察,無拘的接連。「我卻終於淺嘗放慢生活節奏及專心創作的三星期,實在得來不易。」香港。哥多華。香港。FP Art Engineer Wong Chun-hoi has been back in Hong Kong from his C3A artist residency for several months, dropping concrete objects he created in a pop-up exhibition, tracing his footprints as an alien, and now weaving strands of existential moments — an alternative way to “report” on the three weeks he spent in Cordoba. “Alas! I finally got to taste a bit of living slowly and focusing on making. This is nothing to be taken for granted,” he said.

Floating Projects Collective 2023