To those who have watched his apparently uneventful video Morning screened at the recent Fresh Wave 2017, Don Tsang unravels the “thick and dense” thoughts underlying the work. 曾旭熙說《無念》:平淡的家常”細藝”背後的密集思考…
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media…
9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的?他們多方對策:投影的器具、所投的影像何來、成像的過程、展示影像的「面」…
「相片沉了藥水後從一將白紙慢慢顯影。」這就是「曝光」。張才生就個人展覽 《從觀看說起》 及閉幕演出《「曝光」之下》給自己作了一點記錄。Artist Samson Cheung reflects on his “exposure” (exhibition and performance) in his solo show at FP last December (2016).
A poem by Vicky Do while working out “Back and Forth” videography exhibition, encountering an ocean of rich emotions in the … a reconnection with her late grandmother…
Artist’s Statements by 16 artists on 20 works of videography in “Back and Forth”…
“…I am still not very used to carrying a camera. Scenes captured in the footage do not have little similarity with what I actually saw on the spot.” Winnie Yan, curator for “Back & Forth,” recalls her videography one year ago.
Kel Lok, FP member, artist of “Toy as Medium” and workshop host for “Monster Assemblage,” shares with us the more-than-monsters created on 3 December 2016 with visitor-participants.
“Be the rolling stones,” an alter graduation art show, ignited discussions on experimental actions and moving images as the makers’ unique connection with the lifeworld. Winnie Yan interviewed some of the participating artists…
Through the looking glass, FP member Kel Lok traces an everlasting sentiment nourished from his childhood, a deep view on the fantastic planet Eureka 7 and the episode “Psalms of the Planets.”